National Gallery of Art — Page 209

Foliate Letter J [reverse]

E. U., possibly 18th or 19th century

Stage Design

Italian 18th Century, 1651 to 1700

A Young Girl Wearing a Flowered Hat

French 18th Century, 1651 to 1700

Vase

Chinese Qing Dynasty, early 18th century

La gageure des trois commeres: Le poirier

after Jean-Baptiste Mallet, 1651 to 1700

La gageure des trois commeres: Le poirier

after Jean-Baptiste Mallet, 1651 to 1700

La gageure des trois commeres: Le poirier

after Jean-Baptiste Mallet, 1651 to 1700

Arch of Titus

Circle of Giovanni Paolo Panini, 1651 to 1700

Venus at the Forge of Vulcan

French 18th Century, 18th century

The Apotheosis of Saint Mark [recto and verso]

Pietro Roselli, 1651 to 1700

Louis, Duc de Bourgogne

French 18th Century, 18th century

The Triumph of David

Style of Jan Luyken, c. 1700

Six Studies of Commedia dell'Arte Actors: Polchinelle, Columbine, Pierrot, a Captain, Harlequin "en femme," and Scaramouche

Claude Gillot, early 18th century

Dr. John Blow, Musical Composer and Organist

Robert White, published 1700

Design for a Ceiling: Aeolus Seated on Clouds Surrounded by Putti

Dutch 18th Century, 18th century

Leonard de Lamet

Pierre Drevet after Hyacinthe Rigaud, 1699/1702

Je suis vengé de toi: l'on te hait, et l'on m'aime

Hubert François Gravelot, 1651 to 1700

Quoi donc, les vrais Chrétiens auraient tant de vertu

Hubert François Gravelot, 1651 to 1700

Oui, je la connais Traitre, et je connais ton Coeur

Hubert François Gravelot, 1651 to 1700

Francois Boucher

Laurent Cars after Charles-Nicolas Cochin I, 1651 to 1700

Denzil, First Baron Holles

Robert White, published 1699

John Whitgift, D.D., Archbishop of Canterbury

Robert White, published 1699

Man Reaching Down and Two Studies of Heads (recto)

Jean-Baptiste Jouvenet, before 1698

Adriaen van Ostade

Jacobus Houbraken, 1651 to 1700