National Gallery of Art — Page 207

A Performance by the Commedia dell'Arte

Claude Gillot, c. 1710

Veue des ruines d'une Tour qu'on dit avoir ete batie par les Romains

Quentin-Pierre Chedel after François Boucher, 1701 to 1725

Gentleman Lounging in a Chair

Carle Van Loo, 1701 to 1725

Trinitatis delicia Virgo Maria

Marco Alvise Pitteri after Giovanni Battista Piazzetta, 1701 to 1725

La Bonne Aventure

Pierre-Alexandre Aveline after François Boucher, 1738

Huntsmen with Hounds and a Crouching Hare [recto]

James Seymour, 1701 to 1725

Mounted Horsemen [verso]

James Seymour, 1701 to 1725

Shepherd and Shepherdess (?)

Pierre-Alexandre Aveline after Antoine Watteau, 1701 to 1725

Cardinal Giacomo De Angelis, 1651-1695 [obverse]

Attributed to Ferdinand de Saint-Urbain, 1701

Head of a Young Woman

Francesco Polanzani after Carlo Cignani, 1651 to 1700

Abraham Bloemaert

Dutch 18th Century after Paulus Moreelse, c. 1740

Foliate Letter J [reverse]

E. U., possibly 18th or 19th century

Stage Design

Italian 18th Century, 1651 to 1700

A Young Girl Wearing a Flowered Hat

French 18th Century, 1651 to 1700

Vase

Chinese Qing Dynasty, early 18th century

La gageure des trois commeres: Le poirier

after Jean-Baptiste Mallet, 1651 to 1700

La gageure des trois commeres: Le poirier

after Jean-Baptiste Mallet, 1651 to 1700

La gageure des trois commeres: Le poirier

after Jean-Baptiste Mallet, 1651 to 1700

Arch of Titus

Circle of Giovanni Paolo Panini, 1651 to 1700

Six Studies of Commedia dell'Arte Actors: Polchinelle, Columbine, Pierrot, a Captain, Harlequin "en femme," and Scaramouche

Claude Gillot, early 18th century

Venus at the Forge of Vulcan

French 18th Century, 18th century

Dr. John Blow, Musical Composer and Organist

Robert White, published 1700

The Apotheosis of Saint Mark [recto and verso]

Pietro Roselli, 1651 to 1700

The Triumph of David

Style of Jan Luyken, c. 1700