Drawings and Prints — Page 196

Adoration of the Shepherds

Hendrick Goltzius|Jacob Matham, 1600–1605

Christ Child and Secondary Child Figure Bearing the Cross (recto); Fragment of Design for Ornamental Border (verso)

Anonymous, Spanish, School of Seville, 17th century, 17th century

Landscape

Aureliano Milani, 17th century

Kneeling Virgin (Virgin Annunciate) (recto); Writing (verso)

Anonymous, Spanish, School of Seville, 17th century, 17th century

Saint Francis and an Angel with a Viola da Braccio (The Ecstasy of Saint Francis)

Anonymous, Spanish, School of Seville, 17th century, 17th century

Busts of a Young Woman and an Old Bearded Man

Anonymous, Spanish, School of Seville, 17th century, 17th century

Madonna and Child Surrounded by Female Saints

Joseph Heintz the Younger, 1600–1678

Christ and the Centurion

Sébastien Bourdon|Anonymous, French, 17th century, 17th century

Three Studies of Seated Nude Male with Raised Arm, Seen from Below.

Anonymous, Italian, Bolognese, 17th century, 17th century

Mary, Queen of Scots

Mary, Queen of Scots, 17th century (?)

The Virgin holding the infant Christ with the fingers of her right hand hidden, a circular composition

Guido Reni, ca. 1600–1640

Ornamental design with Orpheus and Eurydice

Anonymous, Flemish, 17th century|Anonymous, Dutch, 17th century, 17th century

Saint Jude in prayer, seen in profile facing left with a staff resting on his shoulder, in an oval frame, from Christ, the Virgin, and Thirteen Apostles

Guido Reni|Anonymous, 17th century, 1600–1640

Venus on a half-shell, holding fabric over her head

Cherubino Alberti (Zaccaria Mattia), 17th century

Ornament with Jewelry Design as Decorative Floral Arrangement

Anonymous, 17th century, 17th century

Design for the Interior of the East End of a Church

Melchor de Aguirre, 1600–1697

Landscape with a Bridge and a Village Church

Ferdinand Kobell|Anonymous, Flemish, 17th century, ca. 1600 (?)

Saint Paul holding a sword, in an oval frame, from Christ, the Virgin, and Thirteen Apostles

Anonymous, 17th century|Guido Reni, 1600–1640

An allegory in honor of the arrival of Cardinal Franciotti as Bishop of Lucca

Pietro Testa|Frans van den Wyngaerde, 1637

Studies for Figures of Five Angels

Anonymous, Spanish, School of Seville, 17th century, 17th century

Coat of Arms (blank) with Two Putti Holding a Crown

Anonymous, Netherlandish, 17th century|Anonymous, German, 17th century|Anonymous, Italian, 17th century, 17th century

Angel Leading Saint Peter out of Prison (?)

Anonymous, Spanish, School of Seville, 17th century, 17th century

Allegorical Figures

Anonymous, Italian, Bolognese, 17th century, 17th century

Standing Figure of Mercury

Anonymous, Spanish, School of Seville, 17th century, 17th century

St. Benedict in Ecstasy

Claude Mellan

Portrait of a Man: Francesco Albani ?

Andrea Sacchi, 1599–1661

Woman on Rearing Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"

Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622

The Drunken SiIenus: Design for the "Tazza Farnese"

Annibale Carracci, 1599–1600

Frontispiece to "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"

Enea Vico|Philippe Thomassin|Francesco Angeloni|Battista Franco|Anonymous, Italian, 16th century, published ca. 1599–1622

Sheet 6: Men Carrying Trophies, from "The Triumph of Julius Caesar"

Andrea Andreani|Andrea Mantegna|Bernardo Malpizzi, 1599

Sheet 9: Julius Ceasar in his horse-drawn chariot, from "The Triumph of Julius Caesar"

Andrea Andreani|Andrea Mantegna|Bernardo Malpizzi, 1599

Sheet 2: A Triumphal Chariot, from "The Triumph of Julius Caesar"

Andrea Andreani|Andrea Mantegna|Bernardo Malpizzi, 1599

Saint Hyacinth Walking on the Waters

Francesco Vanni, 1599

Sheet 7: Procession, from "The Triumph of Julius Caesar"

Andrea Andreani|Andrea Mantegna|Bernardo Malpizzi, 1599

Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree

Agostino Carracci, 1599

Sheet 3: Trophies of War, from "The Triumph of Julius Caesar"

Andrea Andreani|Andrea Mantegna|Bernardo Malpizzi, 1599

Man with Crayfish and Urn of Water, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"

Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622

Satyr Leading Goat on which a Infant Rides, from "Ex Antiquis Cameorum et Gemmae Delineata"

Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622

Conversatio sancta

Cornelis Galle I, 1638–78

Man with Torch at Temple Door, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"

Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622

Scene of Sacrifice with Warrior Killing Ram and Four Other Figures, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"

Enea Vico|Francesco Angeloni|Battista Franco|Philippe Thomassin|Anonymous, Italian, 16th century, published ca. 1599–1622

Figure with Pig and Serpent, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"

Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622

Woman with Shield Seated on Seamonster, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"

Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622

Two Women and Two Cupids, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"

Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622

Man with Wing; Man with Vase and Dog, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"

Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622

Hercules and Cerberus, from "Ex Antiquis Cameorum et Gemmae Delineata"

Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622

Figure on Seagoat; Man Carving Wing, from "Ex Antiquis Cameorum et Gemmae Delineata"

Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622

A Faun or Satyr Preparing a Pig for Sacrifice, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"

Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622