Drawings and Prints — Page 196
65,715 artworks · The Metropolitan Museum of Art
Massacre of the Innocents, reduced and reversed copy after Aegidius Sadeler
Jacopo Tintoretto (Jacopo Robusti)|Marcus Sadeler|Anonymous|Aegidius Sadeler I, 1600—1629
Seated Pan holding a pipe in his left hand
Odoardo Fialetti|Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis), 1600–30
Portrait of a Man: Francesco Albani ?
Andrea Sacchi, 1599–1661
Woman on Rearing Horse, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622
The Drunken SiIenus: Design for the "Tazza Farnese"
Annibale Carracci, 1599–1600
Frontispiece to "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Enea Vico|Philippe Thomassin|Francesco Angeloni|Battista Franco|Anonymous, Italian, 16th century, published ca. 1599–1622
Sheet 6: Men Carrying Trophies, from "The Triumph of Julius Caesar"
Andrea Andreani|Andrea Mantegna|Bernardo Malpizzi, 1599
Sheet 9: Julius Ceasar in his horse-drawn chariot, from "The Triumph of Julius Caesar"
Andrea Andreani|Andrea Mantegna|Bernardo Malpizzi, 1599
Sheet 2: A Triumphal Chariot, from "The Triumph of Julius Caesar"
Andrea Andreani|Andrea Mantegna|Bernardo Malpizzi, 1599
Saint Hyacinth Walking on the Waters
Francesco Vanni, 1599
Sheet 7: Procession, from "The Triumph of Julius Caesar"
Andrea Andreani|Andrea Mantegna|Bernardo Malpizzi, 1599
Love Conquers All (Omnia vincit Amor), in a struggle with a satyr Amor places his right knee on its thigh, two nude nymphs are seated with interlocking legs at the base of a tree
Agostino Carracci, 1599
Sheet 3: Trophies of War, from "The Triumph of Julius Caesar"
Andrea Andreani|Andrea Mantegna|Bernardo Malpizzi, 1599
Man with Crayfish and Urn of Water, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622
Satyr Leading Goat on which a Infant Rides, from "Ex Antiquis Cameorum et Gemmae Delineata"
Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622
Main Part of a Cup, from Fysirungen Zum Verzeichnen Für Die Goldtschmidt, Nuremberg, 1599
Johann Sibmacher, 1599
Woman and Man Seated on Lionskin, Man Pouring Wine, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622
Head of Satyr and Three Figures, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622
Two Lovers with Pan, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Enea Vico|Francesco Angeloni|Battista Franco|Philippe Thomassin|Anonymous, Italian, 16th century, published ca. 1599–1622
Sacrifice of a Swan, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Enea Vico|Francesco Angeloni|Battista Franco|Philippe Thomassin|Anonymous, Italian, 16th century, published ca. 1599–1622
A Woman Collecting Blood from a Sheep, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622
Man with Wing; Man with Vase and Dog, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622
Hercules and Cerberus, from "Ex Antiquis Cameorum et Gemmae Delineata"
Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622
Figure on Seagoat; Man Carving Wing, from "Ex Antiquis Cameorum et Gemmae Delineata"
Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622
A Faun or Satyr Preparing a Pig for Sacrifice, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622
Conversatio sancta
Cornelis Galle I, 1638–78
Man with Torch at Temple Door, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622
Scene of Sacrifice with Warrior Killing Ram and Four Other Figures, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Enea Vico|Francesco Angeloni|Battista Franco|Philippe Thomassin|Anonymous, Italian, 16th century, published ca. 1599–1622
Figure with Pig and Serpent, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622
Woman with Shield Seated on Seamonster, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622
Two Women and Two Cupids, from "Ex Antiquis Cameorum et Gemmae Delineata/ Liber Secundus/et ab Enea Vico Parmen Incis"
Francesco Angeloni|Battista Franco|Philippe Thomassin|Enea Vico|Anonymous, Italian, 16th century, published ca. 1599–1622
Neu künstlich Modelbuch (page 26r)
Bernhard Jobin, 1598 (?)
Cupid wrestling with Pan, amongst the clouds, with two allegorical women seated at left
Cavaliere d'Arpino (Giuseppe Cesari)|Hendrick Goltzius|Jacob Matham, 1598–1632
Design for a Lavabo, Plate 85 from Dietterlin's Architectura
Wendel Dietterlin, the Elder, 1598
The Resurrection, from "The Passion of Christ"
Anonymous|Hendrick Goltzius, ca. 1598–1617
Beached Whale
Jacob Matham, 1598
The Adoration of the Magi
Jan Muller|Harmen Jansz. Muller, 1598
Triumphal arch surmounted by a statue representing the city of Bologna, buildings seen through the arch below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598
Guido Reni, 1598
Virgin and Child
Claude Mellan|Abraham Blooteling
The Betrayal of Christ, from The Passion of Christ
Hendrick Goltzius, 1598
Design for a Fountain, Plate 119 from Dietterlin's Architectura
Wendel Dietterlin, the Elder, 1598
Architectura von Ausstheilung / Symmetria und Proportion der Fünff Seulen
Balthasar Caymocx|Wendel Dietterlin, the Elder, 1598
Façade of the Palazzo del Senato in Bologna with the Papal arms at center, with temporary decorations for the entry of Pope Clement VIII in Bologna in 1598
Guido Reni, 1598
Titlepage of Neu künstlich Modelbuch (page 1r)
Bernhard Jobin, 1598 (?)
Kitchen Scene with a Maid Drawing Poultry, the Parable of the Rich Man and the Poor Lazarus, from Kitchen and Market Scenes with Biblical Scenes in the Background
Jacob Matham, ca. 1603
Façade of a triumphal monument with three scenes depicting deeds of Pope Clement VIII, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598
Guido Reni, 1598
Triumphal arch surmounted by a statue of Moses, buildings seen through the arch below, a temporary decoration for the entry of Pope Clement VIII in Bologna in 1598
Guido Reni, 1598
The Porta Galliera, the entrance gate to Bologna and drawbridge with temporary decorations for the entry of Pope Clement VIII in Bologna in 1598
Guido Reni, 1598