Drawings and Prints — Page 161

The Lion Takes the Advice of the Other Animals for Renard's Punishment from Hendrick van Alcmar's Renard The Fox

Allart van Everdingen, 1650–75

Jacques Amelot

Robert Nanteuil, ca. 1655

The Horseman

Wenceslaus Hollar|Jan Wildens, 1650

Satyr and Nymphs Dancing

Raymond de La Fage, mid-17th century

Mary, Queen of Scots (from "Famiani Stradae Romani E Societate Jesu De Bello Belgico Decas Secunda," folio 466)

Mary, Queen of Scots|Famiano Strada|Sumptibus Hermanni Scheus, 1650

Jean-François-Paul de Gondi, Le cardinal de Retz

Robert Nanteuil|Jean Morin|Philippe de Champaigne, 1650

Two Cows and a Sheep, from Different Animals

Adriaen van de Velde

The Shepherd on Horseback Chases the Stag from Hendrick van Alcmar's Renard The Fox

Allart van Everdingen, 1650–75

Io at the left as a cow, Jupiter on a cloud in the centre and Juno at the right with putti holding an eagle captive in the lower right

Pietro Testa|Pietro Santi Bartoli, 1650–90

The Lion Allows a Fight Between the Wolf and Renard from Hendrick van Alcmar's Renard The Fox

Allart van Everdingen, 1650–75

Design for a Wall Decoration with Chimneypiece and Two Figures

Antoine Le Pautre, ca. 1650–70

Abdon and Sennen carrying the early Christian martyrs off for burial

Arnold van Westerhout|Guillaume Courtois, 1650–60

Seven vases, the vase in the middle decorated with the face of Medusa, Plate 1 from "Collection of Various Vases" (Raccolta di Vasi Diversi)

Stefano della Bella|François Langlois, ca. 1650–56

Two Biblical Scenes: The Apostles Showing Christ their Swords at left, after Raphael's Stanza della Segnatura and the Pope Celebrates Mass with Four Priests,after Raphael's Stanza di Eliodoro, from a series of 15 plates depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi, 1650–70

Plate 3: God Addressing Noah and his Sons, from Genesis Chapter 3, after a lost fresco in the basamento of Bay 13 of the Vatican Loggia

Pietro Santi Bartoli|Giovanni Giacomo De Rossi|Raphael (Raffaello Sanzio or Santi), 1650–77

Noah and the animals entering the ark

Giovanni Benedetto Castiglione (Il Grechetto), 1650–55

Young Man in Broad-Brimmed Hat, Resting His Chin on His Left Hand

Gerbrand van den Eeckhout, ca. 1655

The Lion Frees the Bear and the Wolf from Hendrick van Alcmar's Renard The Fox

Allart van Everdingen, 1650–75

Design for a Vignette with a Nymph Surprised by a Satyr

Anonymous, French, 17th century, second half 17th century

The Ass, Jealous of the Attention the Dog Is Getting From His Master, Looks to Imitate Him by Jumping at the Master's Neck from Hendrick van Alcmar's Renard The Fox

Allart van Everdingen, 1650–75

Frédéric-Maurice, Duc de Bouillon

Robert Nanteuil, ca. 1655

Vanellus, Vanneau (The Lapwing), from "Livre d'Oyseaux" (Book of Birds)

Albert Flamen, 1655–60

The Horseman

Wenceslaus Hollar|Jan Wildens|Johannes Meyssens, 1650

Saint Paul standing before the Proconsul, from a series of 15 plates, depicting Raphael's works for the Vatican stanze and the Sistine Chapel tapestries

Pietro Santi Bartoli|Raphael (Raffaello Sanzio or Santi)|Giovanni Giacomo De Rossi, 1650–70

Samuel Anointing the Young David (?)

Jan Erasmus Quellinus, n.d.

Adoration of the Shepherds

Jan Boeckhorst, mid 17th century

Man Leading a Camel

Rembrandt (Rembrandt van Rijn), 1650–69

A Caterpillar

Jan Vincentsz van der Vinne|Vincent Laurensz van der Vinne, late 17th century

Entry of the animals into Noah's ark, three men follow quadrupeds and birds striding toward the ark in the background, another male figure points the way

Giovanni Benedetto Castiglione (Il Grechetto), ca. 1650–55

Canal with an Angler and Two Swans

Rembrandt (Rembrandt van Rijn), 1650

An allegory of painting, who as an child in the centre left draws on a tablet, surrounded by figures, many of whom are drawing

Pietro Testa|François Collignon, 1650–1700

Bacchus, Ceres, and Venus

Giuseppe Diamantini, 1650–1700

Saint Andrew kneeling in prayer as he is led to the cross, after Reni

Guido Reni|Carlo Cesi|Arnold van Westerhout, 1650–80

François-Michel Le Tellier, marquis de Louvois

Antoine Masson|Robert Nanteuil, 17th century

Design of fireworks: two views of a rocket

Anonymous, Italian, 17th century, 1650–1750

Design for a Frieze with Two Griffins

Anonymous, Italian, 17th century, 1650–1700

Taste (Gustus), from Quinque Sensuum

Franz Cleyn|Robert Walton, ca. 1655

Vertical Panel with a Cartouche stacked on top of a Cuirass, from: 'Ornaments or Grotesques' (Ornamenti o Grottesche)

Stefano della Bella, ca. 1650–56

Soldiers, one shown frontally and holding a sword, at right a soldier with his back turned and holding a cup, four soldiers standing behind them with standards and spears, after the lost frescoes by Polidoro da Caravaggio on the façade of the Milesi Palace in Via della Maschera d'Oro, Rome

Giovanni Francesco Venturini|Polidoro da Caravaggio, ca. 1650–1700

Renard Lies that the Rabbit Insulted One of His Children from Hendrick van Alcmar's Renard The Fox

Allart van Everdingen, 1650–75

Floris II from the series Counts and Countesses of Holland, Zeeland, and West-Frisia

Pieter Soutman|Cornelis Visscher|Petrus Scriverius, 1650

Renard Promises the Bear to Take Him to a Place Where He Will Find Honey from Hendrick van Alcmar's Renard The Fox

Allart van Everdingen, 1650–75

Landscape with an Angler

Wenceslaus Hollar|Jan Brueghel the Elder, 1650

Diana and Endymion

Giuseppe Diamantini, 1650–1700

The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower right

Pietro Testa|Anonymous, 17th century, 1650–1700

Renard is Accused by the Animals Before the Lion from Hendrick van Alcmar's Renard The Fox

Allart van Everdingen, 1650–75

Three Lucchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague

Pietro Testa|Anonymous, 17th century, 1650–1700

Album of Prints by Hollar

Wenceslaus Hollar, 1650