Drawings and Prints — Page 162

Design for a Frieze with Two Griffins

Anonymous, Italian, 17th century, 1650–1700

Taste (Gustus), from Quinque Sensuum

Franz Cleyn|Robert Walton, ca. 1655

Vertical Panel with a Cartouche stacked on top of a Cuirass, from: 'Ornaments or Grotesques' (Ornamenti o Grottesche)

Stefano della Bella, ca. 1650–56

Soldiers, one shown frontally and holding a sword, at right a soldier with his back turned and holding a cup, four soldiers standing behind them with standards and spears, after the lost frescoes by Polidoro da Caravaggio on the façade of the Milesi Palace in Via della Maschera d'Oro, Rome

Giovanni Francesco Venturini|Polidoro da Caravaggio, ca. 1650–1700

Renard Lies that the Rabbit Insulted One of His Children from Hendrick van Alcmar's Renard The Fox

Allart van Everdingen, 1650–75

Floris II from the series Counts and Countesses of Holland, Zeeland, and West-Frisia

Pieter Soutman|Cornelis Visscher|Petrus Scriverius, 1650

Renard Promises the Bear to Take Him to a Place Where He Will Find Honey from Hendrick van Alcmar's Renard The Fox

Allart van Everdingen, 1650–75

Landscape with an Angler

Wenceslaus Hollar|Jan Brueghel the Elder, 1650

Diana and Endymion

Giuseppe Diamantini, 1650–1700

The Prophecy of Basilides

Giovanni Cesare Testa|Pietro Testa, ca. 1650

Portrait of a Young Man (probably a self-portrait)

Cornelis Visscher, 1650-51

Temple of the Tiburtine Sybil, from "Roman Ruins"

Wenceslaus Hollar|Sebastiaen Vrancx, 1650

Putto at left reclining on sheaves of wheat, another at right carrying a sheave over his shoulder, an allegory of the seasons (Summer), an oval composition

Anonymous, 17th century|Pietro Testa, ca.1650–80

Palati maioris (Palatine Palace, Rome), from "Roman Ruins"

Sebastiaen Vrancx|Wenceslaus Hollar, 1650

Putto at left by a fire, anther at right carrying wood, an allegory of the seasons (Winter) an oval composition

Anonymous, 17th century|Pietro Testa, ca.1650–80

Plate 6: head of an old bearded soldier wearing a helmet facing right, from 'Various heads and figures' (Diverses têtes et figures)

Stefano della Bella|Israël Henriet, 1650

Arundel House from the North (copy)

Wenceslaus Hollar, 17th century (?)

Jacques Amelot

Robert Nanteuil, ca. 1655

Title Plate, from Quinque Sensuum

Franz Cleyn|Robert Walton, ca. 1655

Hearing (Auditus), from Quinque Sensuum

Franz Cleyn|Robert Walton, ca. 1655

Renard is Accused by the Wolf and Several Animals from Hendrick van Alcmar's Renard The Fox

Allart van Everdingen, 1650–75

Habit de Mallettier Coffrettier

Anonymous, French, 17th century|Nicolas de Larmessin II, ca. 1690

The return of the Prodigal Son

Pietro Testa|Anonymous, 17th century, 1650–1700

Putto at left holding an upturned cornucopia and a garland, another seated at the right holding an urn, an allegory of the seasons (Autumn), an oval composition

Anonymous, 17th century|Pietro Testa, ca.1650–80

Venus and Adonis embracing after the hunt

Pietro Testa|Anonymous, 17th century, 1650–1700

St. Bavo, from the series Saints of North and South Netherlands

Pieter Soutman|Cornelis Visscher, 1650

The suicide of Dido who reclines on a pyre in centre, surrounded by many figures

Pietro Testa|Giovanni Cesare Testa, 1650–55

Three goats climbing a vine in the shape of a backwards 'S', from 'Ornaments or Grotesques' (Ornamenti o Grottesche)

Stefano della Bella, ca. 1650–56

Putto at the left hold aloft grapes,another seated at the right holding an urn, an allegory of the seasons (Summer), an oval composition

Anonymous, 17th century|Pietro Testa, ca. 1650–80

The prodigal son seated on a couch being served wine, revelers in the background, a monkey wearing a collar and chain in the lower right

Pietro Testa|Anonymous, 17th century, 1650–1700

Renard is Accused by the Animals Before the Lion from Hendrick van Alcmar's Renard The Fox

Allart van Everdingen, 1650–75

Three Lucchese saints Sts Nicholas Tolentino, Nicholas of Bari interceding with the Virgin for the victims of the plague

Pietro Testa|Anonymous, 17th century, 1650–1700

Album of Prints by Hollar

Wenceslaus Hollar, 1650

A sheep lying with its legs folded underneath its body next to a wooden fence, the sheep in profile view

Karel Dujardin, ca. 1655

Visit to A. Roelants

Wenceslaus Hollar|Lamoral Claudius Franz, Count of Thurn and Taxis|Alexander Roelants, 1650

Thomas Haaringh (Old Haaringh)

Rembrandt (Rembrandt van Rijn)|Thomas Haaringh, ca. 1655

Five satyrs and two nymphs

Adam Elsheimer|Wenceslaus Hollar, 1650

Weceslaus Hollar

Wenceslaus Hollar|Wenceslaus Hollar, 1649

Parnassus, frontispiece to Les Oeuvres de Scarron

Stefano della Bella|Toussaint Quinet, 1649

Georges de Scudéry

Robert Nanteuil, ca. 1654

Sir William Butts

Wenceslaus Hollar|Sir William Butts|Adam Alexius Bierling|Hans Holbein the Younger, 1649

Stag at bay, from "Animal hunts" (Chasses à différents animaux)

Stefano della Bella, ca. 1654

Face of Christ on St. Veronica's Cloth

Claude Mellan, 1649

Vincent Voiture

Robert Nanteuil|Philippe de Champaigne, 1649

Henri de Guénégaud

Robert Nanteuil|Philippe de Champaigne, ca. 1654

The Dead Hare

Wenceslaus Hollar|Pieter Boel, 1649

Ostrich hunt, from 'Animal hunts' (Chasses à différents animaux)

Stefano della Bella, ca. 1654

Black slave carries a leopard pelt and holds the bridle of a horse, from "Several heads in the Persian style" (Plusieurs têtes coiffées à la persienne)

Stefano della Bella|Israël Henriet, 1649–50