Smithsonian American Art Museum — Page 297

Design for a Pendant Trophy

René Charpentier, French, 1680 - 1723, 1738–61

Button

Agostino Brunias, Italian, ca. 1730–1796, late 18th century

Button

Agostino Brunias, Italian, ca. 1730–1796, late 18th century

Textile with factory stamp

Oberkampf & Cie., (Jouy-en-Josas, France, 1759–1815), 1762–83

Alcove with Military Trophies

Jean Le Pautre, French, 1618–1682, 1656–57

Dead Soldier

Ange-Louis Janet Lange, French, 1815–1872, 19th century

Bound print

Gilles Paul Cauvet, French, 1731–1788

Three Putti

François Boucher, French, 1703–1770, 1738–49

Print

Jean-Baptiste Pillement, French, 1728–1808

Sketches of Plants

Frederic Edwin Church, American, 1826–1900, 1855–70

Four Decorative Studies of Ceilings; Verso: Anatomical Studies

Felice Giani, Italian, 1758–1823, 1814–18

Print

Jean-Baptiste Pillement, French, 1728–1808

Stage Design, Group of Antique Buildings

Angelo Toselli, ca. 1765? – 1826, early 19th century

Print

Jean-Baptiste Pillement, French, 1728–1808

The Wangchuan Villa

Traditionally attributed to Guo Zhongshu (傳)郭忠恕 (910-977), 17th century

Plan et Elévation d’un Confessional ceintré d’une ance de Panier, et la Corniche en S. / Plan et Elévation d’un Confessional ceintré d’un plein ceintre par le côté, et orné d’une Corniche aussi en S.

F. Cornille, active 1740 - 1756, 1740–55

Ornamental Frame Design

Louis Crépy, French, 1680?–1760, mid- 18th–late 18th century

Brisé fan

Unknown, early 19th–early 20th century

Drawing

Felice Giani, Italian, 1758–1823

Trophy Design

Jean-Charles Delafosse, French, 1734 – 1789, late 18th century

Le Bassin quarré du Rocher à Chantilly (Upper Plate)

Adam Perelle, French, 1638 – 1695, late 17th century

Drawing

Louis Apollinaire Sicard, French, 1807–1881, Lyon, late 19th century

Button

Agostino Brunias, Italian, ca. 1730–1796, late 18th century

Lutrin

Jacques Valentin Fontaine, French, active 1740 – 1760, 1742–55