Drawings and Prints — Page 131
65,715 artworks · The Metropolitan Museum of Art
Les Petits Buveurs de lait (The Little Milk Drinkers), from Suite d'estampes gravées par madame la marquise de Pompadour d'après les pierres gravées de Guay, graveur du Roi
Madame la Marquise de Pompadour|François Boucher, 1751
Gin Lane
William Hogarth, 1751
S. Constanza (erroneously callled Temple of Bacchus) (Veduta interna del Sepolcro di S. Constanza, fabbricato da Costantino Magno, ed erroneamente detto il Tempio di Bacco, inoggi Chiesa della medisme Santa), from "Vedute di Roma"
Giovanni Battista Piranesi, ca. 1756
Title page from Essai de Papilloneries Humaines par Saint Aubin
Charles Germain de Saint-Aubin, ca. 1756–60
The Martyrdrom of Saint Stephen, kneeling at center while persecutors throw stones at him, three angels holding a laurel wreath overhead, and Christ and God the Father in the clouds at upper left
Peter Paul Rubens|Phillip Joseph Tassaert, ca. 1756–68
French Theatre (Théatre Français), from Essai de Papilloneries Humaines par Saint Aubin
Charles Germain de Saint-Aubin, ca. 1756–60
The Arch of Septimius Severus (Arco di Severo, e Caracalla)
Giovanni Battista Piranesi, ca. 1756
Vase with mask, a nude cup-bearing figure riding a goat followed by a satyr, and reptile handles, an oval composition
Jacques Guay|Madame la Marquise de Pompadour, 1751–58
Seated Young Peasant Woman Holding a Jug, from Nouveau Livre de diverse Figures (New Book of Various Figures)
François Boucher|Gabriel Huquier, 1751
L'amour européen
Pierre François Basan|Charles Dominique Joseph Eisen, 1751–97
The Immaculate Conception
Lorenzo Tiepolo|Giovanni Battista Tiepolo, ca. 1770
Design for a Book Illustration
Franz Sigrist, late 18th century
Saint Charles Borromeo Venerating the Crucifix
Lorenzo Tiepolo|Giovanni Battista Tiepolo, ca. 1770
Design for Frame with Ecclesiastical Motifs
Johann Oktavian Salver, 1750–88
The Entry of the Baron of Caprice to the Home of Miss Favors (Entré du Baron du Caprice chez Melle des Faveurs)
Anonymous, French, 18th century, second half 18th century
Tempio di Sant'Andrea, Via Flaminia, from "Vues de Rome"
Jérôme Charles Bellicard, 1750
A Blot-Lake with Boat, Surrounded by Trees
Alexander Cozens, 1750–86
Landscape with a Goatherd and a Drover
Charles François César Le Tellier, Marquis Montmirail, mid-18th century
Design for a Trompe L'Oeil Ceiling
Flaminio Innocenzo Minozzi, ca. 1750–60
Design for Altar Decorations for a Liturgical Celebration
Anonymous, Italian, Piedmontese, 18th century, 1750–75
Portrait of Henry IV
Pierre Philippe Choffard|Hubert François Gravelot, n.d.
Head of an Angel or Child
Louis Marin Bonnet|Charles Joseph Natoire, mid to late 18th century
The Pleasures of the Countryside
Louis Marin Bonnet|Jean-Baptiste Le Prince, mid to late 18th century
Departure for the Sabbath
David Teniers the Younger|baron Dominique Vivant Denon
A Woman Standing next to a Chair
Nicolaas Muys, n.d.
Design for a Ceiling in the Manner of Pergolesi
Anonymous, British, 18th century, late 18th century
Vedute di Roma (Views of Rome), part I
Giovanni Battista Piranesi, ca. 1750–78
Drawing for an Interior
Giovanni Larciani ("Master of the Kress Landscapes"), 1750–1800
Design for a Ceiling Decoration, Plate 4 from 'Unterschiedliche neu inventierte Deken oder Plafond'
Martin Engelbrecht|Jeremias Wachsmuth, Printed ca. 1750–56
Design for a Firescreen with Picnic Scene and Playing Cards
Eugène Charpentier, Late 18th century
Studies of draped female and male figures; verso: Studies of draped female figures
Bartholomaeus Ignaz Weiss, 18th–early 19th century
View of Bad Schandau at the River Elbe with the Winterberg
Adrian Zingg, late 18th–early 19th century
Portrait of Mme. Anne-Henriette de France
François Xavier Vispré|Jean Etienne Liotard, 1750
Seated Male Nude Holding a Staff
Franz Xaver Messerschmidt, mid-18th–late 18th century
Project for a Public Monument
Alexandre Théodore Brongniart, n.d.
Design for a Pulpit, Plate 2 from an Untitled Series of Pulpit Designs
Martin Engelbrecht, Printed ca. 1750–56
Christ confounding the doctors
Andrea Scacciati|Giovanni Battista Moroni, 1750–70
An old woman holding a mousetrap while a young girl holds a string attached to its tail
Antonio Marinetti|Niccolò Cavalli, 1750–80
Ceiling Design with the Mystical Wine Press
Johann Georg Dieffenbrunner|Franz Sigrist, ca. 1750
Design for a Monumental Altar, Plate i from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'
Johann Michael Leüchte|Martin Engelbrecht, Printed ca. 1750–56
View of the Flavian Amphitheater, called the Colosseum, from "Vedute di Roma" (Roman Views), part II
Giovanni Battista Piranesi, ca. 1750–78
Various Designs for Rocaille Ornaments, Plate 4 from: 'Fortsezung von unterschielichen Auszierungen zu allerleij nüzlich anzuwenden'
Martin Engelbrecht|Jeremias Wachsmuth, Printed ca. 1750–56
Trade card for R Cribb & Son, Publisher and Printmaker
Boyne, late 18th–early 19th century
Coronation of the Virgin
Giovanni Battista Moroni|Andrea Scacciati, 1750–70
Effect of Thunder
Bertaud|Joseph Vernet, ca. 1755–85
Design for a Doric Porch, Plan and Elevation
Robert Adam, second half 18th century
Vue de la Foire de Bezons
Gabriel de Saint-Aubin, 1750
Sarah Malcolm
William Hogarth|Sarah Malcolm, late 18th–19th century