Drawings and Prints — Page 133
65,715 artworks · The Metropolitan Museum of Art
A New Book of Ornaments
Henry Copland, 1746
Allegory of Christian Virtues
Johann Elias Ridinger, 1746
S. Pierre Regalda (S. Pietro d'Alcantara)
Francesco Bartolozzi, 1746
Concert of Cats, after the painting in the collection of the Duc de Choiseul
Crispijn de Passe the Elder|Balthasar Anton Dunker|Jan Brueghel the Elder, before 1771
Design for a Vase with a Bacchic Frieze, from: Vases
Jacques François Joseph Saly, 1746
Ink Seller
François Joullain|Anne Claude Philippe de Tubières, comte de Caylus|Edme Bouchardon, 1746
Vase with a Male Siren holding up a Garland, from: Vases
Jacques François Joseph Saly, 1746
Jeu de Societe dans un Parc
Jean Honoré Fragonard, n.d.
Design for a Confessional, Plate 4 from an Untitled Series of Designs for Confessionals
Martin Engelbrecht|Carl Pier, Printed ca. 1750–56
Plate 30: Don Quixote consults the enchanted head at Don Antonio Moreno's house (Don Quichotte consulte la teste enchantée chez Don Antonio Mereno)
Charles Antoine Coypel|Jakob van Schley, 1745
Design for a vase decorated with garlands
Jean Charles Delafosse|C. Baquoy, 18th century
Allegorical Design for a Tomb
André Lebrun, n.d.
Design for the Side of a Carriage
Anonymous, French, 18th century, ca. 1750–80
Design for a Rocaille Cartouche with the Figure of Putto holding up a Cup, Plate 4 from an untitled series with architectural cartouches and allegorical figures
Jacob Gottlieb Thelot|Martin Engelbrecht|Jeremias Wachsmuth, Printed ca. 1750–56
Suggestion for the Decoration of Top Right Side of Portal, Plate 3 from 'Allerneueste Façon von Auszierungen zu Portalen'
Jeremias Wachsmuth|Martin Engelbrecht, Printed ca. 1750–56
Recto: figure and head-studies (including Bacchus); Verso: four main figure studies repeated from the recto
Bartholomaeus Ignaz Weiss, 1745–1815
Hermit and Angel in a Landscape
Etienne de Lavallée-Poussin, 18th century
L'Heureuse Fecondite
Jean Honoré Fragonard|Nicolas de Launay, n.d.
Design for a Monumental Altar, Plate L from 'Unterschiedliche Neu Inventierte Altäre mit darzu gehörigen Profillen u. Grundrißen.'
Martin Engelbrecht|Johann Michael Leüchte, Printed ca. 1750–56
Saint Peter holding keys and an open book, facing left
Joachim Leonardo da Rocha, ca. 1750–80
La Famille du Fermier
Jean Honoré Fragonard|Antoine Louis Romanet|Clément Pierre Marillier, n.d.
Landscape with Bridge
Joseph Wagner|Charles Louis Clérisseau, ca. 1750–70
Time Banished by Truth
Jean Jacques de Boissieu, n.d.
Standing male angel holding drapery and standing over a ram; allegory of Spring; after bas-relief on Fontaine des Quatre-Saisons (Paris)
Anonymous, French, 18th century|Edme Bouchardon, possibly mid to late 18th century
Design for a Rocaille Cartouche with the Figure of Justitia, Plate 2 from an untitled series with architectural cartouches and allegorical figures
Jacob Gottlieb Thelot|Martin Engelbrecht|Jeremias Wachsmuth, Printed ca. 1750–56
St. Michael Casting Down Lucifer, after Pier Francesco Mola
Louis Jean Jacques Durameau|Pier Francesco Mola, 18th century
Architectural Capriccio with Roman Monuments and Washerwomen
Hubert Robert|Hubert Robert, n.d.
La Bonne Mere
Jean Honoré Fragonard|Nicolas de Launay, n.d.
Jeu de Societe dans un Parc
Jean Honoré Fragonard, n.d.
The Ascension of Christ
Johann Ignatz Zimbal, ca. 1750
Bust-Length Study of a Man Wearing a Hat in Three-Quarter View (a Frankish Nobleman)
Lorenzo Tiepolo, 18th century
Design for a Classical Chimneypiece with Rams Heads, and Leda and the Swan.
Sir William Chambers, 1745–1800
La Bonne Mere
Jean Honoré Fragonard|Nicolas de Launay, n.d.
Design for Section of a Rococo Room, with a Coved Ceiling and Ornamented Corinthian Doorway
Thomas Lightoler, ca. 1750
Study for the Decoration of a Vault (recto); Faint Sketches of Ornamental Patterns (verso)
Mauro Antonio Tesi, mid-18th century
Design for Wall Paneling
Anonymous, French, 18th century, ca. 1750–70
Suggestion for the Decoration of Lower Right and Top Right of a Framel, Plate 1 from an Untitled Series with Rocailles Ornaments for Window, Pier Glass and Door Frames'
Jeremias Wachsmuth|Martin Engelbrecht, Printed ca. 1750–56
Antique Vase of Copper in the Capitol
Sir William Chambers, ca. 1750–55
Design for a Rocaille Cartouche with the Figure of a Putto, Plate 3 from an untitled series with architectural cartouches and allegorical figures
Jacob Gottlieb Thelot|Martin Engelbrecht|Jeremias Wachsmuth, Printed ca. 1750–56
Sailboat within a cartouche, after a bas-relief on the Fontaine des Quatre-Saisons (Paris)
Edme Bouchardon|Anonymous, French, 18th century, possibly mid to late 18th century
Oeuvres de Joseph Vernet...representant divers ports de mer en France et d'Italie
Dionysius Godefroy|Isidore Stanislas Henri Helman|Etienne Charpentier|Jean Denis Lempereur|Peter Paul Benazech|Joseph Vernet|Jean Jacques Le Veau|M. D.|Louis Joseph Masquelier|Jean Ouvrier|M. J. Ozanne|St. Flour|Jean-Baptiste Tilliard|Jacques Philippe Le Bas|Jean Jacques Flipart|Simon Fokke|Charles Nicolas Cochin II|Jacques Aliamet|A. D.|F. Basan|Louis Binet|Louis Jacques Cathelin|Pierre Chenu|Anne Philiberte Coulet|C. F. Cousinet|Robert Daudet|J. Daulle & Veuve|Pierre Jacques Duret, ca. 1750–1800
Elevation of Boxes and Royal Box as Presently Constituted and According to New Design
Giuseppe Galli Bibiena, ca. 1750
Dark prison with a courtyard for the punishment of criminals... (Carcere oscura con Antenna pel suplizio dè malfatori...), from "Prima Parte di Architettura, e Prospettive"
Giovanni Battista Piranesi, ca. 1750
Ancient Altar on which sacrifices were performed in antiquity, surrounded by other ruins (Ara antica sopra la quale si facevano anticamente i sagrifizi, con altre ruine all'intorno), from "Prima Parte di Architettura, e Prospettive"
Giovanni Battista Piranesi, ca. 1750
The Piazza del Popolo (Veduta della Piazza del Popolo), from "Vedute di Roma"
Giovanni Battista Piranesi, ca. 1750
Ruins of an ancient tomb in front of ruins of an ancient aqueduct (Ruine di Sepolcro antico posto dinanzi ad altre ruine d'un Aquedotto), from "Prima Parte di Architettura, e Prospettive"
Giovanni Battista Piranesi, ca. 1750
Imaginery ancient temple designed in the style of those built in honor of the Goddess Vesta... (Tempio antico inventato e disegnato alla maniera di quelli che si fabbricavano in onore della Dea Vesta...), from "Prima Parte di Architettura, e Prospettive"
Giovanni Battista Piranesi, ca. 1750
Colonnaded hall according to the custom of the ancient Romans, and niches adorned with statues (Sala all'uso degli antichi Romani con Colonne, e nicchie ornate di Statue), from "Prima Parte di Architettura, e Prospettive"
Giovanni Battista Piranesi, ca. 1750