Drawings and Prints — Page 182
65,715 artworks · The Metropolitan Museum of Art
La Mendiante Venant de Recevoir la Charité (The Female Beggar Receiving her Charity), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Jacques Callot, ca. 1623
La Cêne (The Last Supper), from La Grande Passion (The Large Passion)
Jacques Callot, ca. 1619–24
La Condamnation a Mort (The Condemnation to Death), from La Grande Passion (The Large Passion)
Jacques Callot, ca. 1619–24
La Borgnesse (The Woman with One Eye), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Jacques Callot, ca. 1623
Le Crucifiement (The Crucifixion), from La Grande Passion (The Large Passion)
Jacques Callot, ca. 1619–24
Le Gentilhomme qui Salue Tenant son Feutre Sous le Bras (The Gentleman who Bows Holding his Felt Hat Under his Arm), from La Noblesse (The Nobility)
Jacques Callot, ca. 1623
Mary, Queen of Scots (from "Baziliologia, A Booke of Kings")
Mary, Queen of Scots|Compton Holland|Henry Holland|Renold Elstrack, 1618
Nova Iconologia
Cesare Ripa|Pietro Paulo Tozzi, 1618
Allegory of Air and Earth
Bartholomäus Reiter, 1618
January
Jan van de Velde II, 1618
Allegory of the Transience of Life
Christian Richter, 1618
Le Marché de la Place de L'Annonciade a Florence (The Market in the Piazza della Annunziata in Florence), from Les Caprices Series B, The Nancy Set
Jacques Callot|Lorenzo de' Medici, 1617–20
La Place du Dome, a Florence (The Piazza del Duomo, in Florence), from Les Caprices Series B, The Nancy Set
Jacques Callot|Lorenzo de' Medici, 1617–20
Frieze-like composition of figures walking alongside draped curtains: at left satyrs and children bear a statue of Bacchus on a litter behind an old man (Silenus?), at center two robed satyrs approach a priest, at right Apollo lifts a cup next to satyrs seated at a round table
Pierre Brebiette, ca. 1617–25
Le Duel a l'Épée (The Duel with Swords), from Les Caprices Series B, The Nancy Set
Jacques Callot|Lorenzo de' Medici, 1617–20
Pyramus and Thisbe
Cornelis Schut|Charles Dominique Joseph Eisen|Adriaen van de Velde, early 17th–mid 17th century
Le Berger Jouant de la Flute (The Shepherd Playing the Flute), from Les Caprices Series A, The Florence Set
Jacques Callot|Lorenzo de' Medici, 1617
Cupid carves a wooden bow with a file, with his back turned toward Venus, from "Sport of Love" (Scherzi d'amore)
Odoardo Fialetti, 1617
Square Blackwork Design in Silhouette Style with Schweifwerk and Grotesque Figures
Esaias von Hulsen, 1617
Procession of satyrs and draped figures leading two goats and cow to sacrifice, at right the figure of Pan stands on a rocky pedestal, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette|François Langlois, ca. 1617–25
River Scene
Jan van Goyen, early 17th–mid 17th century
The Enamored Couple: Lucelle and Ascagnes
Willem Pietersz. Buytewech, 1616
Le Char de L'Amour, from Guerre de Beauté (Guerra di Bellezza) (War of Beauty)
Jacques Callot|Giulio Parigi, 1616
Blackwork Design for Goldsmithwork
Mathais Beitler, after 1616
Henry Frederick, Prince of Wales, with the pike
Compton Holland|Simon de Passe|Henry Frederick, Prince of Wales, 1616–22
Teatro delle Nobili et Virtuose Donne..., page 43 (recto)
Isabella Catanea Parasole|Mauritio Bona, 1616
The Forge
Thomas Wijck, 17th century
Teatro delle Nobili et Virtuose Donne..., page 31 (recto)
Isabella Catanea Parasole|Mauritio Bona, 1616
Teatro delle Nobili et Virtuose Donne..., page 24 (recto)
Isabella Catanea Parasole|Mauritio Bona, 1616
Teatro delle Nobili et Virtuose Donne..., page 21 (recto)
Isabella Catanea Parasole|Mauritio Bona, 1616
Four Figures Conversing in a Landscape
Antonio del Castillo y Saavedra, 1616–68
Figure of St. James the Great Seated in a Landscape
Antonio del Castillo y Saavedra, 1616–68
Le Joueur de Violon (The Violin Player), from Varie Figure Gobbi, suite appelée aussi Les Bossus, Les Pygmées, Les Nains Grotesques (Various Hunchbacked Figures, The Hunchbacks, The Pygmes, The Grotesque Dwarfs)
Jacques Callot, 1616–22
Teatro delle Nobili et Virtuose Donne..., page 30 (recto)
Isabella Catanea Parasole|Mauritio Bona, 1616
Le Char de Thétis (The Chariot of Thetis), from Guerre de Beauté (Guerra di Bellezza) (War of Beauty)
Jacques Callot|Giulio Parigi, 1616
Teatro delle Nobili et Virtuose Donne..., page 45 (recto)
Mauritio Bona|Isabella Catanea Parasole, 1616
Figure of St. Andrew seated in a Landscape
Antonio del Castillo y Saavedra, 1616–68
The Collonade
Thomas Wijck, n.d.
Title Plate with Blackwork Design
Mathais Beitler|Andreas Gentzsch, 1616
Landscape with River and Three Figures
Jan van Goyen, early 17th–mid 17th century
Teatro delle Nobili et Virtuose Donne..., title page (recto)
Isabella Catanea Parasole|Mauritio Bona, 1616
Le Char de L'Amour, from Guerre de Beauté (Guerra di Bellezza) (War of Beauty)
Jacques Callot|Giulio Parigi, 1616
Bartholomeus Spranger
Hans von Aachen|Jan Muller|Frederick de Wit|Bartholomeus Spranger, ca. 1618
1er Intermède (1st Interlude), from Les Intermèdes (The Interludes)
Jacques Callot|Giulio Parigi, 1616
Teatro delle Nobili et Virtuose Donne..., page 7 (recto)
Isabella Catanea Parasole|Mauritio Bona, 1616
Bacchanal
Pierre Brebiette, 1615–42
Le Turc Vu de Face, La Main Droite Posée sur la Hanche (Front View of the Turk, Right Hand Placed on Hip), from Varie Figure (Various Figures), plate 3
Jacques Callot, ca. 1620
Bacchanal
Pierre Brebiette, 1615–42