Drawings and Prints — Page 180

A Quartet of Singers, Lute players, and Bell Ringers Playing in a Tavern by Candlelight

Leonaert Bramer, mid to late 17th century

The Reformed Courtier

Grégoire Huret|Pierre Mariette|Jean Couvay, 17th century

Man in a Turban Facing Left

Jan Lievens, 17th century

Disegni Varij di Polifilo Zancarli (Friezes)

Polifilo Giancarli|Odoardo Fialetti, ca. 1625

Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 14 (recto)

Alessandro de' Vecchi|Cesare Vecellio, 1620

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 21 (recto)

Alessandro de' Vecchi|Cesare Vecellio, 1620

The Parrot

Abraham Bosse|Jean I Leblond, 1620–76

Origin of Painting

Jean Ouvrier|Johann Eleazar Zeissig, called Schenau

Bust of an Old Man with a Fur Collar

Jan Lievens, 17th century

Le Repas Chez le Pharisien (The Meal at the Home of the Pharisee), from Les Quatre Banquets (The Four Feasts)

Jacques Callot, ca. 1625

The Departure of Hagar

Anthonie Waterloo, 17th century

Two Stone Bridges

Anthonie Waterloo, 17th century

A Horseman by a Fence

Anthonie Waterloo, 17th century

The Wilderness Covered with Rocks

Anthonie Waterloo, 17th century

The Culte du Démon (The Cult of the Demon), from Les Sacrifices (The Sacrifices)

Jacques Callot, ca. 1625

Christ Confounding the Elders in the Synagogue

Grégoire Huret, 17th century

Man in a Turban

Jan Lievens, 17th century

Summer

Grégoire Huret|Pierre Mariette, 1620–70

Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 5 (recto)

Alessandro de' Vecchi|Cesare Vecellio, 1620

St. Mary Magdalen Reclining in a Grotto

Claude Mellan|Claude Goyrand

Saint Barbara holding palm leaves with a sword and flowers at her feet, two putti overhead holding a laurel

Schelte Adams à Bolswert|Peter Paul Rubens, ca. 1625–59

Allegorial Composition with the Coat of Arms of Cardinal Richelieu and Charity

Grégoire Huret, 17th century

Portrait of Tommaso Salini (ca. 1578-1630)

Ottavio Leoni (Il Padovano)|Tommaso Salini, 1620

Disegni Varij di Polifilo Zancarli (Friezes)

Polifilo Giancarli|Odoardo Fialetti, ca. 1625

Paths Leading To a Stream

Anthonie Waterloo, 17th century

A Large Linden Tree Before an Inn

Anthonie Waterloo, 17th century

David carrying the head of Goliath, which he holds by the hair

Giuseppe Caletti, called Cremonese|Caterino Doino, 1620–30

A Traveller Resting

Anthonie Waterloo, 17th century

Hercules Assisting Atlas

Claude Mellan|Jean-François-Paul de Gondi

La Caffarella (ou Grotte d'Egerie)

Jean Morin|Cornelis van Poelenburch, 1620–50

Le Jardin, appelé aussi Le Marais (The Garden, also called The Marsh), from Les Quatre Paysages (The Four Landscapes)

Jacques Callot, 17th century

Corona delle Nobile et Virtuose Donne, Libro Terzo, page 9 (recto)

Alessandro de' Vecchi|Cesare Vecellio, 1620

The Savior

Grégoire Huret, 17th century

Mercury Turning Battus to Stone

Herman van Swanevelt

Sketches of Sculptured Decoration. Entablatures and a Frieze with Human, Animal and Floral Ornaments

Agostino (Stanzani) Mitelli, mid-17th century

Cardinal (le Bret?) in oval with allegorigal figures and a battle scene

Grégoire Huret, 17th century

Saint Lambert Trampling his Murderers, Surrounded by the Four Church Fathers

Antoine Sallaert, early 17th–mid 17th century

Pleasures of Occupation

Cornelis Bloemaert

The Banishment of Hagar

Anthonie Waterloo, 17th century

Shepherd Asleep on a Hummock

Anthonie Waterloo, 17th century

Narcissus and Echo

Frans van der Neve|Giovanni Giacomo De Rossi, 17th century

River Landscape with Mountains

Herman Saftleven II, 17th century

16th Plate, from Trattato delle Piante & Immagini de Sacri Edifizi di Terra Santa (Treatise of the Plans & Images of the Sacred Buildings of the Holy Land)

Jacques Callot|Bernardino Amico|Pietro Cecconcelli, 1620

The Rhinoceros

Willem Jansz Blaeu|Albrecht Dürer, after 1620

St. Augustine

Laurent de La Hyre|Herman Weyen|Nicolas Pitau, n.d.

Left Part of the Drawing: Floral Ornaments; Right Part of the Drawing: Half Cartouche Decorated with Leaves, Arms and a Lion

Agostino (Stanzani) Mitelli, mid-17th century

Christ Between His Parents Returning from the Temple

Rembrandt (Rembrandt van Rijn)|baron Dominique Vivant Denon, n.d.

The Virgin holding the infant Christ on her lap, an oval composition, after Reni

Guido Reni, 1620–50