Drawings and Prints — Page 181
65,715 artworks · The Metropolitan Museum of Art
Allegory with Minerva at right, leading a young man towards Mount Parnassus, where the Muses sit
Giovanni Lanfranco|Johann Friedrich Greuter, 1620–47
A Frigate at Anchor, Saluting a Nearby Yacht
Willem van de Velde I, 17th century
Corona delle Nobile et Virtuose Donne, Libro Terzo, page 6 (recto)
Alessandro de' Vecchi|Cesare Vecellio, 1620
Ornamento nobile...Fatta da Lucretia Romana (Libro V of the Corona), page 2 (recto)
Alessandro de' Vecchi|Cesare Vecellio, 1620
Corona delle Nobile et Virtuose Donne, Libro Terzo, page 3 (recto)
Alessandro de' Vecchi|Cesare Vecellio, 1620
Twilight in the Woods
Anthonie Waterloo, 17th century
The Flight into Egypt
Ignatius Cornelis Marinus|Peter Paul Rubens, 1620–40
Design for the Headdress of a Horse Crowned by a Small Dragon
Baccio del Bianco, 1620–1700
Taste
Grégoire Huret|Pierre Mariette|François Ragot, 17th century
Disegni Varij di Polifilo Zancarli (Friezes)
Polifilo Giancarli|Odoardo Fialetti, ca. 1625
Herd Near a Stone Bridge
Anthonie Waterloo, 17th century
Tobias Blessed by Blind Tobit
Moses van Uyttenbroeck|Jan van de Velde II|Jan van de Velde II, 1620–41
Female Personification of Summer or Abundance
Sebastián de Herrera-Barnuevo, 1619–71
Marriage at Cana
Andreas Goeding, 1619
God the Father Appearing to Jacob
Giovanni Benedetto Castiglione (Il Grechetto), ca. 1635–45
Catafalque of the Emperor Mathias with performance of funeral inside the Church of San Lorenzo, Florence
Jacques Callot, 1619
May Day Celebrations at Xeuilley
Jacques Callot, ca. 1624–25
St. Jerome seated on the ground and reading an inscribed scroll, a skull next to his right leg and a lion beyond
Jusepe de Ribera (called Lo Spagnoletto), ca. 1624
Allegory of the Death of Philip IV (1605-1665)
Sebastián de Herrera-Barnuevo, 1619–71
Samson Captured by the Philistines
Guercino (Giovanni Francesco Barbieri), 1619
La Dame a la Grande Collerette et a la Coiffe Retombant en Arrière (The Lady with the Large Collar and a Headdress that Falls to the Back), from La Noblesse (The Nobility)
Jacques Callot, ca. 1623
La Présentation au Peuple (The Presentation of Christ to the People), from La Grande Passion (The Large Passion)
Jacques Callot, ca. 1619–24
Two Designs for Doors, one at Versailles and one at the Hotel Cavois in Paris, plate II from the Series 'Portes a Placard et Lambris', published as part of 'L'Architecture à la Mode'
Jean Le Pautre|Nicolas Langlois, 17th century
La Dame au Masque (The Lady with a Mask), from La Noblesse (The Nobility)
Jacques Callot, ca. 1623
Le Couronnement D'Épines (The Crowning with Thorns), from La Grande Passion (The Large Passion)
Jacques Callot, ca. 1619–24
Le Mendiant a la Tête Découverte et aux Pieds Nuds (The Beggar with the Uncovered Head and Bare Feet), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Jacques Callot, ca. 1623
Le Gentilhomme aux Mains Jointes (The Gentleman with his Hands Joined), from La Noblesse (The Nobility)
Jacques Callot, ca. 1623
Le Mendiant a la Jambe de Bois (The Beggar with the Wooden Leg), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Jacques Callot, ca. 1623
La Mendiante Venant de Recevoir la Charité (The Female Beggar Receiving her Charity), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Jacques Callot, ca. 1623
La Cêne (The Last Supper), from La Grande Passion (The Large Passion)
Jacques Callot, ca. 1619–24
La Condamnation a Mort (The Condemnation to Death), from La Grande Passion (The Large Passion)
Jacques Callot, ca. 1619–24
La Borgnesse (The Woman with One Eye), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)
Jacques Callot, ca. 1623
Le Crucifiement (The Crucifixion), from La Grande Passion (The Large Passion)
Jacques Callot, ca. 1619–24
Le Gentilhomme qui Salue Tenant son Feutre Sous le Bras (The Gentleman who Bows Holding his Felt Hat Under his Arm), from La Noblesse (The Nobility)
Jacques Callot, ca. 1623
Mary, Queen of Scots (from "Baziliologia, A Booke of Kings")
Mary, Queen of Scots|Compton Holland|Henry Holland|Renold Elstrack, 1618
Allegory of the Transience of Life
Christian Richter, 1618
Nova Iconologia
Cesare Ripa|Pietro Paulo Tozzi, 1618
Allegory of Air and Earth
Bartholomäus Reiter, 1618
January
Jan van de Velde II, 1618
Le Marché de la Place de L'Annonciade a Florence (The Market in the Piazza della Annunziata in Florence), from Les Caprices Series B, The Nancy Set
Jacques Callot|Lorenzo de' Medici, 1617–20
La Place du Dome, a Florence (The Piazza del Duomo, in Florence), from Les Caprices Series B, The Nancy Set
Jacques Callot|Lorenzo de' Medici, 1617–20
Frieze-like composition of figures walking alongside draped curtains: at left satyrs and children bear a statue of Bacchus on a litter behind an old man (Silenus?), at center two robed satyrs approach a priest, at right Apollo lifts a cup next to satyrs seated at a round table
Pierre Brebiette, ca. 1617–25
Le Duel a l'Épée (The Duel with Swords), from Les Caprices Series B, The Nancy Set
Jacques Callot|Lorenzo de' Medici, 1617–20
Pyramus and Thisbe
Cornelis Schut|Charles Dominique Joseph Eisen|Adriaen van de Velde, early 17th–mid 17th century
Le Berger Jouant de la Flute (The Shepherd Playing the Flute), from Les Caprices Series A, The Florence Set
Jacques Callot|Lorenzo de' Medici, 1617
Square Blackwork Design in Silhouette Style with Schweifwerk and Grotesque Figures
Esaias von Hulsen, 1617
Procession of satyrs and draped figures leading two goats and cow to sacrifice, at right the figure of Pan stands on a rocky pedestal, from a series of twelve frieze-like designs showing bacchanals, sacrifices, and dances
Pierre Brebiette|François Langlois, ca. 1617–25
Cupid carves a wooden bow with a file, with his back turned toward Venus, from "Sport of Love" (Scherzi d'amore)
Odoardo Fialetti, 1617