Drawings and Prints — Page 187

Saint Jerome in the Desert

Lucas Kilian|Bartholomeus Spranger, 1610

Salome receiving the head of John the Baptist, surrounded by three men and a child bearing a torch, the Baptist's body lies on the ground, an oval composition

Hendrick Goudt|Adam Elsheimer, after ca. 1610

Design for Cartouches Decorated with Sea-Shells, Garlands, Foliage, Volutes and Urns

Agostino (Stanzani) Mitelli, 1609–60

Allegory of Art

Peter Schmidt von Lichtenberg, 1609

Two Heads of an Old and a Young Woman Looking to the Left (Ages of Woman?)

Frederick III, King of Denmark and Norway, 1609–70

Design for Three Consoles Decorated with Foliage and Volutes and a Console with a Satyr Head Surmounted by Three Human Figures, Garland and Foliage

Agostino (Stanzani) Mitelli, 1609–60

Beached Sperm Whale at Noordwijk, 28 December 1614

Esaias van de Velde|Claes Jansz. Visscher|Claes Jansz. Visscher, ca. 1614

The Eleven Ages of Man

Gerhard Altzenbach, 1609–72

A Family Saying Grace

Claes Jansz. Visscher, 1609

A soldier holding his caliver, from the Marksmen series, plate 1, in Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten Ende Spiessen (The Exercise of Arms)

Jacques de Gheyn II|Jacques de Gheyn II|Robert Willemsz de Baudous, published 1608

First interlude: palace of fame (Intermedio sesto: palazzo della fama), from the series 'Seven Interludes' for the wedding celebration of Cosimo de' Medici in Florence, 1608

Remigio Cantagallina|Giulio Parigi, 1608

Mary Magdalen in the wilderness

Peter Paul Rubens|Willem Pietersz. Buytewech, ca. 1613–14

Hercules and the Centaurs: Hercules holds the head of a centaur with his left hand and raises his club with his right hand, in the foreground and background are fallen and fleeing centaurs, from the series 'The Labors of Hercules'

Antonio Tempesta, 1608

Design for a Stained Glass Window

Christoph Murer, 1608

Hercules and the Nemean Lion: Hercules grasps the front right leg of the lion, which lifts its snout upward, in the middle ground Hercules pulls the skin from the lion's corpse, from the series 'The Labors of Hercules'

Antonio Tempesta, 1608

Hercules and Cerberus: Hercules grasps the collar of Cerberus, two demons appear at left, from the series 'The Labors of Hercules'

Antonio Tempesta, 1608

Schön newes Modelbuch (Page 56r)

Sigismundus Latomus, 1608

Hercules and the Hydra of Lerna: Hercules grasps his club with both hands and confronts the seven-headed hydra, from the series 'The Labors of Hercules'

Antonio Tempesta, 1608

Plate 8: Alexander Encircling the Enemy Troops with Fire, from The Deeds of Alexander the Great

Antonio Tempesta|Johannes Baptista Vrints, 1608

View of the scene in which is represented the Judgment of Paris (Prospettiva della scena in cui si rappresentò il Giuditio do Paride), from the series 'Seven Interludes' for the wedding celebration of Cosimo de' Medici in Florence, 1608

Remigio Cantagallina|Giulio Parigi, 1608

Schön newes Modelbuch (Page 88r)

Sigismundus Latomus, 1608

Schön newes Modelbuch (Page 54r)

Sigismundus Latomus, 1608

Schön newes Modelbuch (Page 60r)

Sigismundus Latomus, 1608

Design for a Fountain with Two Basins One on Top of the Other and Statues of Venus and Putti on the Top.

Francesco Fanelli, 1608–65

Sixth interlude: temple of peace (Intermedio sesto: tempio della pace), from the series 'Seven Interludes' for the wedding celebration of Cosimo de' Medici in Florence, 1608

Remigio Cantagallina|Giulio Parigi, 1608

A soldier charging his musket, from the Musketeers series, plate 24, in Waffenhandlung von den Rören Musquetten undt Spiessen / Wapenhandelinghe van Roers Musquetten ende Spiessen (The Exercise of Arms)

Jacques de Gheyn II|Jacques de Gheyn II|Robert Willemsz de Baudous, published 1608

Fifth Interlude: Vulcan (Intermedio quinto di Volcano), from the series 'Seven Interludes' for the wedding celebration of Cosimo de' Medici in Florence, 1608

Remigio Cantagallina|Giulio Parigi, 1608

Plate 5: The Tomb of Mausolus, from 'The Seven Wonders of The World'

Antonio Tempesta, 1608

The Death of St. Benedict, plate 13 from "Les Eglises Jubilaires" (The Paintings of Rome, The Churches Jubilee)

Jacques Callot|Giovanni de' Vecchi, 1607–11

Interior View of the Court Yard and Frontal View of the Defense Mechanism at Chateau d'Anet

Jacques Androuet Du Cerceau, 1607

St. Jerome Instructing his Disciples in the Desert, plate 11 from "Les Tableaux de Rome, Les Eglises Jubilaires" (The Paintings of Rome, The Churches Jubilee)

Jacques Callot|Girolamo Muziano, 1607–11

Recto: Diana Resting with Her Hounds; Verso: Flora Seated by a Vase with Two Harks on the Ground, after Jost Amman

Hermann Weyer|Jost Amman, 1607 (verso)–ca. 1615 (recto)

Venus and Cupid on a Chariot

Girolamo Romanino|Pierre Biard II, 1607–61

Self-Portrait (from "Image de divers hommes: The true effigies of the most eminent Painters," 1649)

Johannes Meyssens|Wenceslaus Hollar|Wenceslaus Hollar, 17th century

Eight Satyres and Satyresses Finishing a Meal

Pierre Biard II, 1607–61

St. Basil Celebrating the Sacrifice of the Mass [The Celebration of the Holy Mysteries], plate 12 from "Les Tableaux de Rome, Les Eglises Jubilaires" (The Paintings of Rome, The Churches Jubilee)

Jacques Callot|Girolamo Muziano, 1607–11

Christ Walking on Water, Holding the Hand of St. Peter (First Composition), plate 8 from "Les Tableaux de Rome, Les Eglises Jubilaires" (The Paintings of Rome, The Churches Jubilee)

Jacques Callot, 1607–11

Study supporting the fainting personification of Sculpture; standing next to them, France as a draped woman holding crown and sceptre

Pierre Biard II, 1607–61

The Assumption, plate 10 from "Les Tableaux de Rome, Les Eglises Jubilaires" (The Paintings of Rome, The Churches Jubilee)

Jacques Callot|Girolamo Muziano, 1607–11

Plate 87: Dryope Changed into a Lotus Tree (Driope in arboris formam transmigrat), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 113: The Greeks Battling the Trojans (Graecorum Troianorumque concursus), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 98: The Metamorphosis of Adonis (Apri dente Adonis interimitur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 15: The Daughter of Croneus Changed into a Cow (Coronis in cornicem transformatur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Judith with the head of Holofernes in her left hand and a sword in her right hand, accompanied by a female attendant, from a series of four Old Testament subjects

Oliviero Gatti|Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis), 1606

Plate 111: Aesacus and Hespeia (Aesacus Eperies mortem dolens ex scopulo se praecipitans abit in mergum), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate119: The Death of Ajax (Aiax moretm Sibi consciscens, in florem abit), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 110: Morpheus, as Ceyx, Appearing to Alcyone (Morpheus Ceycis corpus Halcyoni representat), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 106: Peleus's Cattle, ad the Sea Wolf Turned to Marble (Psamantes Pelei, Thetidisq precibus expugnata lupum in saxum mutat), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606