Drawings and Prints — Page 188

Plate 127: Anius's Daugthers Changing into Birds (Maeonides Pyrenei vim effugientes in aves), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 30: The Death of Pentheus (Pentheus a matre, sororibusq discerpitur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 21: The Rape of Europa (Iupiter tauri imagine Europam rapit), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Portrait of Pieter Breughel the Younger

Aegidius Sadeler II|Bartholomeus Spranger, 1606

Plate 27: Semele's Wish (Semele divino Ious concubitu occiditur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 125: Aurora Asking Jupiter to Honor Memnon (Aurora a Iove Memnoni, mortis honorem petit), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 18: Mercury Falling in love with Herse (Mercurius Herses amore accenditur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Apollo Granting the Cumaean Sybil's Wish (Apollo Sybillae Cumanae mille annorum atatem indulget), from Ovid's The Metamorphoses, plate 133

Antonio Tempesta, 1606

Plate 136: Circe Changing Picus into a Bird (Circes concubitum detestatur Picus), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 69: Cephalus and Aurora (Cephalum amore perditißimo prosequitar Aurora), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Pltae 70: Procris Giving Cephalus a Dog and a Javelin (Cephalus et iaculo inevitabili, et cane pernicißimo a Procride donatur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

St. Peter and St John Healing the Paralytic

Rembrandt (Rembrandt van Rijn), 1606–69

Study for a Pieta

Rembrandt (Rembrandt van Rijn), 1606–69

View of the City of Prague

Johannes Wechter|Philip van den Bossche|Aegidius Sadeler II, 1606

Portrait of Cardinal Christopher Clavius

Francesco Villamena, 1606

Plate 94: Jupiter and Ganymede (In aquilam transformatus Iupiter Ganymedem rapit), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Cheval de Combat

Charles Errard le fils

Plate 21: view from the west of ruins of the Aventine Hill, Rome, with boats on the river Tiber in the foreground, from the series 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places' (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi)

Aegidius Sadeler II|Etienne DuPérac, 1606

Apollo and Clytie

Laurent de La Hyre|Francois de Poilly, 1606

Chevaux Tartare

Charles Errard le fils

Masete de Normandie

Charles Errard le fils

Plate 19: view of the Baths of Caracalla, indicating with inscribed letter 'A' the places from which columns were reportedly taken by Pope Pius IV to be sent to the Grand Duke of Florence, from the series 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places' (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi)

Aegidius Sadeler II|Etienne DuPérac, 1606

Conbat d'une Pantere et d'un Cheval

Charles Errard le fils

Plate 23: Cadmus Killing the Serpent (Draco a Cadmo interficitur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 132: Jupiter Changing the Cercopians into Monkeys (Cercopes bonorum insidiatores in Simias Iupiter transformat), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 28: Narcissus at the Well (Amore fui inardescens Narcißus in florem transmutatur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Theseus and the Minotaur (Minotaurum Theseus vincit), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 74

Willem Jansz.|Antonio Tempesta, Published after 1606

Titlepage to Ovid's 'Metamorphoses'

Antonio Tempesta|Pieter de Jode I, 1606

La sainte Face couronnee d'epines, (grand format)

Jean Morin|Philippe de Champaigne

A Beggar Playing a Flute

Jacques Callot, early 17th century

A Convent, plate 13 from "Regiunculae et Villae Aliquot Ducatus Brabantiae"

Claes Jansz. Visscher|Claes Jansz. Visscher|The Master of the Small Landscapes, ca. 1610

La Pratique de l'Aiguille, page 59 (recto)

Matthias Mignerak|Pierre Firens|Marie de Medici|Jean Le Clerc, 1605

Saint Pierre

Jean Morin|Philippe de Champaigne

Drunken Silenus Riding on an Ass

Jacques Sarazin, 17th century

The Beech Tree of the Madonna at La Verna

Jacopo Ligozzi, 1605–7

2e Intermède (2nd Interlude), from Les Intermèdes (The Interludes)

Jacques Callot|Giulio Parigi, early 17th century

Sainte Julienne de Mont-Cornillon

Jean Morin|Philippe de Champaigne

Landscape with Cottage

Jacques Callot, early 17th century

Witches Preparing for Sabbath

Jacques de Gheyn II|Andries Stock|Nicolaes de Clerck, ca. 1610

Michel Le Tellier conseiller du roi

Jean Morin|Philippe de Champaigne

Henri II de Lorraine, duc de Guise

Jean Morin|Justus Sustermans

La Pratique de l'Aiguille, page 66 (recto)

Matthias Mignerak|Pierre Firens|Marie de Medici|Jean Le Clerc, 1605

Portrait of Nicolas Chrystin

Jean Morin|Anthony van Dyck, 17th century

Charles de Valois, duc d'Angouleme

Jean Morin|Philippe de Champaigne

A Wooded Landscape with Travellers by the Roadside, a Stream beyond

Herman van Swanevelt, 17th century

L'Attaque (The Attack), from Les Combats de Quatre Galères (The Battles of Four Galleys)

Jacques Callot, early 17th century

La Pratique de l'Aiguille, page 49 (recto)

Matthias Mignerak|Pierre Firens|Marie de Medici|Jean Le Clerc, 1605

Village on an estuary, with a rowing boat on the shore

Pieter de Molijn, 17th century