Drawings and Prints — Page 188

65,715 artworks · The Metropolitan Museum of Art

Plate 7: The Pyramids in Egypt, from 'The Seven Wonders of The World'

Antonio Tempesta, 1608

The Death of St. Benedict, plate 13 from "Les Eglises Jubilaires" (The Paintings of Rome, The Churches Jubilee)

Jacques Callot|Giovanni de' Vecchi, 1607–11

Interior View of the Court Yard and Frontal View of the Defense Mechanism at Chateau d'Anet

Jacques Androuet Du Cerceau, 1607

St. Jerome Instructing his Disciples in the Desert, plate 11 from "Les Tableaux de Rome, Les Eglises Jubilaires" (The Paintings of Rome, The Churches Jubilee)

Jacques Callot|Girolamo Muziano, 1607–11

Recto: Diana Resting with Her Hounds; Verso: Flora Seated by a Vase with Two Harks on the Ground, after Jost Amman

Hermann Weyer|Jost Amman, 1607 (verso)–ca. 1615 (recto)

Christ Walking on Water, Holding the Hand of St. Peter (First Composition), plate 8 from "Les Tableaux de Rome, Les Eglises Jubilaires" (The Paintings of Rome, The Churches Jubilee)

Jacques Callot, 1607–11

Study supporting the fainting personification of Sculpture; standing next to them, France as a draped woman holding crown and sceptre

Pierre Biard II, 1607–61

The Assumption, plate 10 from "Les Tableaux de Rome, Les Eglises Jubilaires" (The Paintings of Rome, The Churches Jubilee)

Jacques Callot|Girolamo Muziano, 1607–11

Self-Portrait (from "Image de divers hommes: The true effigies of the most eminent Painters," 1649)

Johannes Meyssens|Wenceslaus Hollar|Wenceslaus Hollar, 17th century

Eight Satyres and Satyresses Finishing a Meal

Pierre Biard II, 1607–61

St. Basil Celebrating the Sacrifice of the Mass [The Celebration of the Holy Mysteries], plate 12 from "Les Tableaux de Rome, Les Eglises Jubilaires" (The Paintings of Rome, The Churches Jubilee)

Jacques Callot|Girolamo Muziano, 1607–11

Venus and Cupid on a Chariot

Girolamo Romanino|Pierre Biard II, 1607–61

Plate 87: Dryope Changed into a Lotus Tree (Driope in arboris formam transmigrat), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 113: The Greeks Battling the Trojans (Graecorum Troianorumque concursus), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 98: The Metamorphosis of Adonis (Apri dente Adonis interimitur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 15: The Daughter of Croneus Changed into a Cow (Coronis in cornicem transformatur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Judith with the head of Holofernes in her left hand and a sword in her right hand, accompanied by a female attendant, from a series of four Old Testament subjects

Oliviero Gatti|Giovanni Antonio da Pordenone (Giovanni Antonio de Sacchis), 1606

Plate 111: Aesacus and Hespeia (Aesacus Eperies mortem dolens ex scopulo se praecipitans abit in mergum), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate119: The Death of Ajax (Aiax moretm Sibi consciscens, in florem abit), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 110: Morpheus, as Ceyx, Appearing to Alcyone (Morpheus Ceycis corpus Halcyoni representat), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 106: Peleus's Cattle, ad the Sea Wolf Turned to Marble (Psamantes Pelei, Thetidisq precibus expugnata lupum in saxum mutat), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 127: Anius's Daugthers Changing into Birds (Maeonides Pyrenei vim effugientes in aves), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 30: The Death of Pentheus (Pentheus a matre, sororibusq discerpitur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 21: The Rape of Europa (Iupiter tauri imagine Europam rapit), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Portrait of Pieter Breughel the Younger

Aegidius Sadeler II|Bartholomeus Spranger, 1606

Plate 27: Semele's Wish (Semele divino Ious concubitu occiditur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 125: Aurora Asking Jupiter to Honor Memnon (Aurora a Iove Memnoni, mortis honorem petit), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 18: Mercury Falling in love with Herse (Mercurius Herses amore accenditur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Apollo Granting the Cumaean Sybil's Wish (Apollo Sybillae Cumanae mille annorum atatem indulget), from Ovid's The Metamorphoses, plate 133

Antonio Tempesta, 1606

Plate 136: Circe Changing Picus into a Bird (Circes concubitum detestatur Picus), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 69: Cephalus and Aurora (Cephalum amore perditißimo prosequitar Aurora), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Pltae 70: Procris Giving Cephalus a Dog and a Javelin (Cephalus et iaculo inevitabili, et cane pernicißimo a Procride donatur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

St. Peter and St John Healing the Paralytic

Rembrandt (Rembrandt van Rijn), 1606–69

Study for a Pieta

Rembrandt (Rembrandt van Rijn), 1606–69

Plate 19: view of the Baths of Caracalla, indicating with inscribed letter 'A' the places from which columns were reportedly taken by Pope Pius IV to be sent to the Grand Duke of Florence, from the series 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places' (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi)

Aegidius Sadeler II|Etienne DuPérac, 1606

Conbat d'une Pantere et d'un Cheval

Charles Errard le fils

Plate 23: Cadmus Killing the Serpent (Draco a Cadmo interficitur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 132: Jupiter Changing the Cercopians into Monkeys (Cercopes bonorum insidiatores in Simias Iupiter transformat), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Plate 28: Narcissus at the Well (Amore fui inardescens Narcißus in florem transmutatur), from Ovid's 'Metamorphoses'

Antonio Tempesta, 1606

Theseus and the Minotaur (Minotaurum Theseus vincit), from The Metamorphoses of Ovid (Metamorphosean Sive Transformationum), plate 74

Willem Jansz.|Antonio Tempesta, Published after 1606

Titlepage to Ovid's 'Metamorphoses'

Antonio Tempesta|Pieter de Jode I, 1606

Cheval de Combat

Charles Errard le fils

Plate 21: view from the west of ruins of the Aventine Hill, Rome, with boats on the river Tiber in the foreground, from the series 'Ruins of the antiquity of Rome, Tivoli, Pozzuoli, and other places' (Vestigi della antichità di Roma, Tivoli, Pozzvolo et altri luochi)

Aegidius Sadeler II|Etienne DuPérac, 1606