The Metropolitan Museum of Art — Page 333

Lamp

The Great Exhibition "Wot is to Be", Probable Results of The Industry of All Nations in The Year '51, Showing What is to be Exhibited, Who is To Exhibit, in Short How Its All Going to Be Done

George Augustus Sala|Committee of the Society for Keeping Things in Their Places, 1850

Design for 4 seat Phaeton, no top (unnumbered)

Brewster & Co.|Channing Britton, 1850–70

Drawing of an Interior: Salon

Anonymous, French, 19th century, 1850

English Horn

Johann Tobias Uhlmann, ca. 1860–70

Design for Console Table

Robert William Hume, 1850–1904

Factory Design Book of French Porcelain

Haviland & Co., 1850

Ko-Tze

Tobacco Pouch

Ko-Tze

Ratchet

Basquine

Design for Tandem/Village Cart (unnumbered)

Brewster & Co.|Channing Britton, 1850–74

Design for Rockaway (unnumbered)

Brewster & Co.|Channing Britton, 1850–70

Design for Vis-à-vis, no. 202

Brewster & Co.|Channing Britton, 1850–70

Caricature of Two Men (one of them possibly Edward Burne-Jones)

Sir Edward Burne-Jones, 1850–90

Pitcher

United States Pottery Company, 1850–58

Accordion (Flutina)

Frank Colbrun, 1875

Poison Cup - 16th century

Anonymous, British, 19th century, second half 19th century

Cordial

Brooklyn Flint Glass Company|Joseph Stouvenel and Company (1851-1857), 1850–55

Assan, a Young Man

Jean-Léon Gérôme, ca. 1855–56

Christ on the cross, a town in the background, after Reni

Guido Reni|Antonio Dalco|Artaria et Fontaine, 1850–88

[The Harbor at Valletta, Malta]

Calvert Richard Jones, 1850s

Nubie. Ibsamboul. Entrée du Spéos d'Hathor

Maxime Du Camp|Imprimerie photographique de Blanquart-Évrard, à Lille, March 28, 1850