Drawings and Prints — Page 154

Portrait of Le Père Yves

Claude Mellan, 1677

Louis de France, called Le Grand Dauphin or Monseigneur

Robert Nanteuil, 1677

Clearing in a Wooded Landscape

Marco Ricci, 1676–1730

Capriccio with Roman Ruins

Marco Ricci, 1676–1730

Mountainous Landscape with Hermits

Marco Ricci, 1676–1730

Hector's Farewell to Andromache and Astyanax

Sebastiano Galeotti, 1676–1741/46

Architectural Study (recto); Separate Sheet with Architectural Drawing (verso)

Filippo Juvarra, 1676–1736

Catafalque for Pope Clement X; central structure at the top of a fifteen step platform, with columns surmounted by candelabra at each of the four corners

Giovanni Battista Falda|Giovanni Giacomo De Rossi|Giovanni Battista de' Rossi, 1676

Bacchus and Ceres Attended by Putti and a Marine Deity

Sebastiano Galeotti, 1676–1741/46

The Tuileries Garden

Adam Perelle|Nicolas Langlois, 1680

The Arming of Bellona

Laurent Hubert|Juste Aurèle Meissonnier, 18th century

Design for a Festival Display of Fireworks (recto); Small Figures by a different hand (verso)

Laurent Hubert|Juste Aurèle Meissonnier, 18th century

Rear View of an Elaborate Design for a Carriage with Acanthus Leaves and a Putto and Lion on top of a Ball with Three Fleurs-de-Lis

Anonymous, Italian, late 17th to early 18th century

Study of a Seated Peasant

Cornelis Dusart, n.d.

Frontispiece with oval portrait of Raphael, with three allegorical figures of the Arts supporting the tablet at center

Carlo Maratti|Raphael (Raffaello Sanzio or Santi)|Pietro Aquila|Giovanni Giacomo De Rossi, 1675

The Head of Pompey Presented to Julius Caesar (recto); Study for an Elaborate Door Frame (verso)

Giovanni Antonio Pellegrini, 1675–1741

The Annunciation

Giovanni Antonio Pellegrini, 1675–1741

Cheminées a la Royalle...

Pierre Le Pautre|Jacques Langlois, n.d.

A pious woman, in bust-length, three-quarter view, with head raised to the upper right

Carlo Dolci|Anonymous, Italian, late 17th to early 18th century, late 17th–early 18th century

Rear View of an Elaborate Design for a Carved Wooden Carriage with Acanthus Leaves and Putti

Anonymous, Italian, late 17th to early 18th century

The Virgin kneeling in prayer before the infant Christ who is lying on a wooden box, Saint Joseph at left, a mule at right, in an oval frame, after Reni

Anonymous|Guido Reni|Jean François Cars, ca. 1680–1738

Pluto, seen from behind, entering the Underwold on his chairot, Cereberus and three Furies to right, from 'Giove che fulmina li giganti', after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua

Pietro Santi Bartoli|Giulio Romano, ca. 1680

A Shepherd Addressing a Seated Male Nude

Alessandro Magnasco, n.d.

Men with seive

Giovanni Girolamo Frezza|Carlo Maratti, 1675–1741

Gathering of various Olympian gods and mythological figures among clouds, Apollo at center with his lyre, Vulcan, Mercury, Hercules, and Hermes to right, various figures below, horses and attendants behind in center, from 'Giove che fulmina li giganti', after the frescoes on the ceiling of the Sala dei Giganti designed by Giulio Romano for the Palazzo del Te, Mantua

Pietro Santi Bartoli|Giulio Romano, ca. 1680

Christ Healing a Possessed Man

Aureliano Milani, 1675–1749

Jean Le Camus

Robert Nanteuil, 1674

Two women holding a banner at center as a phoenix rises above; set design from 'Il Fuoco Eterno'

Mathäus Küsel|Ludovico Ottaviano Burnacini, 1674

Chancelier Michel IV Le Tellier

Robert Nanteuil, 1674

Annibale Carracci Introduces Painting to Apollo and Minerva

Pietro Aquila|Carlo Maratti|Giovanni Giacomo De Rossi, 1674

A row boat leading a ship to shore while a large group of figures looks on from the coast and along the bridge at center; a deity appears in the sky at upper left; set design from 'Il Fuoco Eterno'

Mathäus Küsel|Ludovico Ottaviano Burnacini, 1674

A woman standing on the right side of a road lined with columns; at center a statue of a female with cupid flying nearby; to the left, a woman emerging from the clouds as another sits among flames above; set design from 'Il Fuoco Eterno'

Ludovico Ottaviano Burnacini|Mathäus Küsel, 1674

Jean Le Camus

Robert Nanteuil, 1674

The Death of Saint Francis Xavier

Ciro Ferri, 1674–79

Le Père Étienne de Cesena

Claude Mellan|Étienne de Cesena, 1674

François Blanchart

Robert Nanteuil, 1673

La Colation preparee dans un jardin

Claude Gillot|Charles Nicolas Cochin I, n.d.

François de Harlay de Champvallon

Robert Nanteuil, 1673

Manhood

Claude Gillot|François Joullain, n.d.

Design for a sepulchral monument with a portrait bust

Hendrik-Frans Verbruggen|Anonymous, Flemish, 17th century|Michiel van der Voort, 1673

Ruins and a barred gate on the Esquiline Hill in Rome

Sebastiaen Vrancx|Wenceslaus Hollar, 1673

Ruins of a round building, from "Roman Ruins"

Sebastiaen Vrancx|Wenceslaus Hollar, 1673

Ruins of a Round Building

Sebastiaen Vrancx|Wenceslaus Hollar, 1673

Study for a Cartouche

Gilles-Marie Oppenord

The Taking of Alexandria

Guillaume Courtois|Girard Audran, 1672–78

Minerva depicted at top with a shield and arrow vanquishing the Giants below, from Barberinae aulae fornix

Pietro da Cortona (Pietro Berrettini)|Giovanni Giacomo De Rossi|Gaspar de Guzman, Count of Olivares and Duke of Sanlucar|Anonymous, Italian, 17th century, ca. 1677

Study for a Decorated Initial A with the Annunciation

Gilles-Marie Oppenord

Charles-Maurice Le Tellier

Robert Nanteuil, 1672