Drawings and Prints — Page 87
65,715 artworks · The Metropolitan Museum of Art
Design for Molding
Anonymous, French, 19th century, ca. 1825–50
Jockey on a Horse
Théodore Gericault|Anonymous, French, 19th century, 19th century
Elevation of a dining room with a carved buffet and window draperies
Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, 19th century
Soldiers (3 prints of varying size pasted onto a green sheet)
Victor Adam, mid–19th century
The Circle of Traitors: Dante's Foot Striking Bocca degli Abbate
William Blake|Dante Alighieri, ca. 1825–27
Écorché: Three Studies of a Male Cadaver
Eugène Delacroix, n.d.
Tappan's Store, Pearl Street, New York
Alexander Jackson Davis|Ithiel Town, 19th century
Design for Oak Carving, from the Fireplace, Jerusalem Chamber, Westminster
Charles James Richardson, 1820–71
Portrait of Alfred Rethel, looking up; verso: Studies of two heads
Heinrich Karl Anton Mücke, 19th century
Design for a Decorative Frieze
Anonymous, French, 19th century, ca. 1825–50
Visit of a Clergyman to Bastide, Sausion, and Collard
Sébastien Coeuré|Aaron Martinet, ca. 1825
Mary, Queen of Scots
Mary, Queen of Scots|William Henry Worthington|Federico Zuccaro (Zuccari)|William Pickering|Talboys & Wheeler, ca. 1825
Design for a ceiling with a trompe l'oeil sky filled with birds
Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, 19th century
The Death of Leonardo da Vinci
Joseph Théodore Richomme|Jean Auguste Dominique Ingres|Leonardo da Vinci, ca. 1825
Two Pierrots Balancing on Swans and Two Dancers
Hans Christian Andersen, 1820–75
Design for a paneled ceiling with painted decoration
Jules-Edmond-Charles Lachaise|Eugène-Pierre Gourdet, 19th century
Collection de Meubles et Objets de Goût, vol. 3
Pierre de La Mésangère|Journal des Dames et des Modes, [1820–31]
A House in Turkey
Alexandre-Gabriel Decamps, 1820–60
Portrait of Mademoiselle Ledieu
Jean-Baptiste Isabey, 1820
Cadwallader David Colden, Mayor of New York City
Asher Brown Durand|Peter Maverick|Samuel Lovett Waldo|Cadwallader David Colden|P. Maverick, Durand & Co., ca. 1825
Two Studies of a Seated Arab with a Pipe
Alexandre-Gabriel Decamps, 1820–60
Banknote motifs: band of lathe work ornament and two monograms using the letters U.S.
A. B. & C. Durand & Company|Durand, Perkins, and Company|Cyrus Durand, ca. 1824–42
Banknote motif with a girl's head derived from Leonardo da Vinci against a patterned band
Asher Brown Durand|A. B. & C. Durand & Company|Durand, Perkins, and Company|Cyrus Durand|Leonardo da Vinci, ca. 1824–37
The Alcove, Isleworth (Liber Studiorum, part XIII, plate 63)
Joseph Mallord William Turner|Henry Edward Dawe|Joseph Mallord William Turner, January 1, 1819
Kurd in military armor on horseback
Aleksandr Orlovsky, 1819
Banknote motif: the number 20 against an ornamental lathe work oval resembling woven rope
A. B. & C. Durand & Company|Durand, Perkins, and Company|Cyrus Durand, ca. 1824–42
On the Canal in Vienna
Johann Christoph Erhard, 1819
Blind Singer
Goya (Francisco de Goya y Lucientes), Ca. 1824–28 (published second half of the 19th century)
Drawing of Clinton Vase
Thomas Fletcher|Hugh Bridport, ca. 1824–25
A View of the Tiber from the North Bank, with the Temple of Vesta, the Campanile of S. Maria in Cosmedin and the Ponte Rotto
Achille-Etna Michallon, 1819
Portrait of Théodore Gericault
Léon Cogniet|Théodore Gericault, ca. 1824
View near Bridport, Dorsetshire
Thomas Rowlandson, 1819–22
Isleworth (Liber Studiorum, part XIII, plate 63)
Joseph Mallord William Turner|Joseph Mallord William Turner|Henry Edward Dawe, January 1, 1819
Banknote motifs: two bands of lathe work ornament
A. B. & C. Durand & Company|Durand, Perkins, and Company|Cyrus Durand, ca. 1824–42
Banknote motif: rounded ornamental lathe work design with a wavy edge
A. B. & C. Durand & Company|Durand, Perkins, and Company|Cyrus Durand, ca. 1824–42
Banknote motif: the number 5 set against a scallop-edged circle of ornamental lathe work, within a rectangle with cut off corners, the top adorned with a vase and swans, the bottom with fruit and grain
A. B. & C. Durand & Company|Durand, Perkins, and Company|Cyrus Durand, ca. 1824–42
Banknote vignette with three putti as a shepherd, a farmer, and a sailor
Asher Brown Durand|A. B. & C. Durand & Company|Durand, Perkins, and Company, ca. 1824–37
Banknote vignette showing a zebra
Asher Brown Durand|A. B. & C. Durand & Company|Durand, Perkins, and Company, ca. 1824–37
Silhouette of Giles H. Case, to left
William Chamberlain, ca. 1824
Mr. Young as Iago
Charles Joseph Hullmandel|Charles Mayne Young|William Shakespeare|John William Gear, ca. 1824
Humming-birds–or–a Dandy Trio
George Humphrey|George Cruikshank|John Sheringham, July 15, 1819
Banknote motif: a circular lathe work design composed out of the repetition of the words "Five thousand dollars"
A. B. & C. Durand & Company|Durand, Perkins, and Company|Cyrus Durand, ca. 1824–42
Banknote vignette showing woodsmen felling trees in a snowy forest
Asher Brown Durand|A. B. & C. Durand & Company|Durand, Perkins, and Company, ca. 1824–37
Water Cress Gatherers, Rails Head Ferry Bridge, Twickenham (Liber Studiorum, part XIII, plate 62)
Joseph Mallord William Turner|Thomas Goff Lupton|Joseph Mallord William Turner, January 1, 1819
Banknote motif: the word ONE with each letter set against a circle of lathe work
A. B. & C. Durand & Company|Durand, Perkins, and Company|Cyrus Durand, ca. 1824–42
Banknote motif: number 500 at the center of a circular design of lathe work with wavy edges, surrounded by an open wreath of leaves, berries and flowers
A. B. & C. Durand & Company|Durand, Perkins, and Company|Cyrus Durand, ca. 1824–42
Banknote motif: two bands of ornamental lathe work resembling florets and hexagons
A. B. & C. Durand & Company|Durand, Perkins, and Company|Cyrus Durand, ca. 1824–42
Half-length Portrait of a Bearded Man in Historical Dress
Richard Parkes Bonington, 1818–28