Artheon MuseumArtheonMuseum

18th Century Art — Page 112

84,010 artworks · 1700-1799

Porringer by Frederick Bassett

Porringer

Frederick Bassett, 1761–99

L'Oracle by Sèvres Manufactory|Etienne-Maurice Falconet

L'Oracle

Sèvres Manufactory|Etienne-Maurice Falconet, ca. 1766

The Last Supper by Jean Honoré Fragonard|Sebastiano Ricci

The Last Supper

Jean Honoré Fragonard|Sebastiano Ricci, ca. 1761–64

Kiku Jidō (Chrysanthemum Boy) by Tsukioka Sessai

Kiku Jidō (Chrysanthemum Boy)

Tsukioka Sessai, 18th century

Design for Part of a Wall Elevation with a Balcony flanking an Arch by Faustino Trebbi

Design for Part of a Wall Elevation with a Balcony flanking an Arch

Faustino Trebbi

Ecorché by Michael Henry Spang

Ecorché

Michael Henry Spang, after 1761

Temple de Venus et de Rome, from Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore by Giunchi Heritiers de Komarek|Dominico Montagu|Jean Barbault|Bouchard & Gravier

Temple de Venus et de Rome, from Les Plus Beaux Monuments de Rome Ancienne ou Recueil des plus beaux Morceaux de l'Antiquité Romaine qui existent encore

Giunchi Heritiers de Komarek|Dominico Montagu|Jean Barbault|Bouchard & Gravier, 1761

Marital discord (one of a pair) by Karl Gottlieb von Lück|Frankenthal Porcelain Manufactory|Karl Theodor period

Marital discord (one of a pair)

Karl Gottlieb von Lück|Frankenthal Porcelain Manufactory|Karl Theodor period, ca. 1766

Folding knife

Folding knife

Edo hakkei|Eight Views of Edo by Utagawa Toyohiro

Edo hakkei|Eight Views of Edo

Utagawa Toyohiro, ca. 1771

Patroclus being carried to his funeral pyre as Achilles places a lock of hair on the body by Johann Tobias Sergel

Patroclus being carried to his funeral pyre as Achilles places a lock of hair on the body

Johann Tobias Sergel, ca. 1766

Mantel clock ("Pendule Clio") by Jean-André Lepaute|Jean-Baptiste Lepaute

Mantel clock ("Pendule Clio")

Jean-André Lepaute|Jean-Baptiste Lepaute, ca. 1766–70

The Second Nakamura Sukegoro as an Outlaw by Katsukawa Shunshō 勝川春章

The Second Nakamura Sukegoro as an Outlaw

Katsukawa Shunshō 勝川春章, ca. 1771

Chair, in Chippendale Drawings, Vol. I by Thomas Chippendale

Chair, in Chippendale Drawings, Vol. I

Thomas Chippendale, 1761

A Beauty Looking Down upon a Young Man Reading a Love Letter by Utagawa Toyoharu

A Beauty Looking Down upon a Young Man Reading a Love Letter

Utagawa Toyoharu, ca. 1771

Russian Palaces and Gardens by Mikhail Makhaev|Filipp Vnukov|Prokofy Artemev|Nikita Tchelnakov|Imperial Academy of Arts|Ivan Kuvakin

Russian Palaces and Gardens

Mikhail Makhaev|Filipp Vnukov|Prokofy Artemev|Nikita Tchelnakov|Imperial Academy of Arts|Ivan Kuvakin, 1761

Prima Parte di Architettura, e Prospettive inventate, ed incise da Giambatista Piranesi Architetto Veneziano fra gli Arcadi Salcindio Tiseio; Lettere di Giustificazione a Milord Charlemont plates, which were adapted to appear in the Opere Varie; Opere Varie; Grotteschi; Carceri; Archi Trionfali, and Trofei di Ottaviano Augusto by Giovanni Battista Piranesi|Francesco Piranesi

Prima Parte di Architettura, e Prospettive inventate, ed incise da Giambatista Piranesi Architetto Veneziano fra gli Arcadi Salcindio Tiseio; Lettere di Giustificazione a Milord Charlemont plates, which were adapted to appear in the Opere Varie; Opere Varie; Grotteschi; Carceri; Archi Trionfali, and Trofei di Ottaviano Augusto

Giovanni Battista Piranesi|Francesco Piranesi, 1761–1809

Rocky Cliff by Johann Christian Reinhart

Rocky Cliff

Johann Christian Reinhart, 18th–19th century

絵本小松原|Picture Book of Komatsubara (Ehon komatsubara) 絵本小松原 by Nishikawa Sukenobu 西川祐信

絵本小松原|Picture Book of Komatsubara (Ehon komatsubara) 絵本小松原

Nishikawa Sukenobu 西川祐信, 1761

Epithalamia Oxoniensia sive gratulationes in augustissimi regis Georgii III. et illustrissimae principissae Sophiae Charlottae nuptias auspicatissimas by Clarendon Press|Joseph Spence|James Merrick|Thomas Warton|Johann Sebastian Müller|Oxford University|George III, King of Great Britain and Ireland|Charlotte, Queen of England

Epithalamia Oxoniensia sive gratulationes in augustissimi regis Georgii III. et illustrissimae principissae Sophiae Charlottae nuptias auspicatissimas

Clarendon Press|Joseph Spence|James Merrick|Thomas Warton|Johann Sebastian Müller|Oxford University|George III, King of Great Britain and Ireland|Charlotte, Queen of England, 1761

Marriage bowl by Bow Porcelain Factory

Marriage bowl

Bow Porcelain Factory, 1761

Della Magnificenza e d'Architettura de' Romani (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London) by Giovanni Battista Piranesi|Domenico Cunego

Della Magnificenza e d'Architettura de' Romani (On the Grandeur and the Architecture of the Romans by Gio. Battista Piranesi, Fellow of the Royal Society of Antiquaries of London)

Giovanni Battista Piranesi|Domenico Cunego, 1761, 1765

Mr. Garrick in the Character of King Lear (Shakespeare, King Lear, Act 3, Scene 1) by James McArdell|Benjamin Wilson|David Garrick|William Shakespeare

Mr. Garrick in the Character of King Lear (Shakespeare, King Lear, Act 3, Scene 1)

James McArdell|Benjamin Wilson|David Garrick|William Shakespeare, 1761

諸國名橋奇覧 摂洲阿治川口天保山|Tenpōzan at the Mouth of the Aji River in Settsu Province (Sesshū Ajikawaguchi Tenpōzan), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran) by Katsushika Hokusai

諸國名橋奇覧 摂洲阿治川口天保山|Tenpōzan at the Mouth of the Aji River in Settsu Province (Sesshū Ajikawaguchi Tenpōzan), from the series Remarkable Views of Bridges in Various Provinces (Shokoku meikyō kiran)

Katsushika Hokusai, 1760–1849

    Send Feedback

    We use this only to reply to your feedback.