18th Century Art — Page 155
84,010 artworks · 1700-1799
Parte di ampio magnifico Porto all'uso degli antichi Romani, ove si scuopre l'interno della gran Piazza pel Comercio... (Part of a spacious and magnificent Harbor for the use of the ancient Romans opening onto a large market square...), from "Opere Varie di Archiettura, prospettive, grotteschi, antichità; inventate, ed incise da Giambattista Piranesi Architetto Veneziano" (Various Works of Architecture, perspectives, grotesques, and antiquities; designed and etched by Giambattista Piranesi, Venetian Architect)
Giovanni Battista Piranesi|Giovanni Bouchard, ca. 1749–50
Coast View with the Embarkation of Carlo and Ubaldo
Claude Lorrain (Claude Gellée)|Arthur Pond|Pierre Charles Canot, 1744
Philip Stanhope, 4th Earl of Chesterfield (1694–1773)
Jacques-Antoine Dassier, 1743
L'audience de l'Empereur chinois (The audience of the Chinese Emperor), from Chinoiseries
Jacques Gabriel Huquier|Chez Huquier|François Boucher, after 1743
The Actor, Matsumoto Koshiro I 1674–1730 in an Unidentified Role
Katsukawa Shunkō
Le Jardin Chinoise (The Chinese Garden), from Chinoiseries
Chez Huquier|François Boucher|Jacques Gabriel Huquier|Gabriel Huquier, after 1743
Plate 3: Inscriptions on Antiquities outside Rome with Index of Plates, from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"
Giovanni Battista Piranesi, ca. 1748
'Gallant conversation' (Conversation galante): couples engage in conversation in a garden setting, at left a musician plays for the group, at right a woman holds a reclining lap dog
Jacques Philippe Le Bas|Nicolas Lancret, 1743
Flora and Zephyr
Jacob de Wit, 1743
Portrait of a Woman
Sir Joshua Reynolds
Scaramouche and Isabella
Bow Porcelain Factory|Charles Nicolas Cochin I|Antoine Watteau, ca. 1748
The Antiquarian
Jean Siméon Chardin|Pierre Louis Surugue, 1743
清 李方膺 梅竹石圖 軸|Bamboo, plum, and rock
Li Fangying, dated 1743
Scene from the Drama "Sazareishi Suehiro Genji"
Torii Kiyomasu I, 12th month, 1743 or 1st month, 1744
Plate Nine from Nouveavx Desseins D'Arquebvseries
Gilles Demarteau, dated 1743
Carpet with Double-Ended Triple Niche
One of the Sons of Noah who Goes to Populate a Part of the Earth (Uno de figli di Noè che va a popolare una parte della terra)
Giovanni Domenico Tiepolo|Pietro Monaco|Giovanni Benedetto Castiglione (Il Grechetto), 1743–63
Plate 6: 'Ruins of an ancient tomb in front of ruins of an ancient aqueduct; above the arches of the latter is the channel which conveyed the water to Rome' (Ruine de sepolcro antico posto dinanzi ad altre ruine d'un Acquedotto pure antico; sopra gli archi del medesimo v'è il canale, per cui si conduceva l'acqua in Roma), from the series 'Part one of architecture and perspectives: drawn and etched by Gio. Batt'a Piranesi, Venetian Architect: dedicated to Nicola Giobbe' (Prima parte di Architetture, e prospettive inventate, ed incise da Gio. Batt'a Piranesi Architetto Veneziano dedicate al Sig. Nicola Giobbe)
Giovanni Battista Piranesi, 1743
Plate 6: the Tempest
Davide Antonio Fossati|Marco Ricci, 1743
Soldiers Around a Monument
Giovanni Battista Tiepolo, 1743–45
The miracle of the bitter water made sweet (Il Miracolo delle Acque Amare Mutate in Dolci)
Pietro Monaco|Giovanni Benedetto Castiglione (Il Grechetto), 1743–63
Plate 28: Arch of Trajan in Ancona (Arco di Trajano in Ancona), from "Alcune Vedute di Archi Trionfali ed altri monumenti inalzati da Romani parte di quali se veggono in Roma e parte per l'Italia" (Some Views of Triumphal Arches and other monuments erected by the Romans, some of which are in Rome and some elsewhere in Italy)
Giovanni Battista Piranesi, ca. 1748
Plate 9: Arch of Constantine in Rome (Arco di Costantino in Roma), from "Antichità Romane de' Tempi della Repubblica, e de' primi Imperatori"
Giovanni Battista Piranesi, ca. 1748
Frontispiece to "Roman Antiquities outside Rome drawn and etched by Giambat'ta Piranesi, Venetian Architect Part Two" (ANTCHITÀ ROMANE FUORI DI ROMA DISEGNATE ED INCISE DA GIAMBAT'TA PIRANESI, ARCHITETTO VENEZIANO, PARTE SECONDA)
Giovanni Battista Piranesi, ca. 1748