Drawings and Prints — Page 176

The Raising of Lazarus: The Larger Plate

Rembrandt (Rembrandt van Rijn), ca. 1632

Putti with the Attributes of the Arts

Domenico Piola, 1627–1703

Ansbach and Coburg, View (a) of two views (a&b).

Wenceslaus Hollar|Bien Hans|Peter Isselburg|Wolffgang Birckner, 1627–36

Saint Peter Nolasque

Claude Mellan, 1627

Le Combat (The Combat), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe

Jacques Callot|Henri Humbert, 1627

Saint Jerome in the Wilderness

Domenico Piola, 1627–1703

The Cobbler (Le Savetier)

Abraham Bosse|Melchior Tavernier, ca. 1632–33

Frontispiece, from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe

Jacques Callot|Henri Humbert, 1627

Saint Noppurga, from Bavaria Sancta: The Life and Martyrdom of Holy Men and Women (Vol. III)

Raphael Sadeler II|Johann Matthias Kager, 1627

La Défilé a Pied (The Parade on Foot), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe

Jacques Callot|Henri Humbert, 1627

Entrée de MM. de Couvonge et de Chalabre (Entrance of Monsieur de Couvonge and of Monsieur de Chalabre), from Le Combat a la Barrière in the Palace at Nancy by Henri Humbert, printed by Sebastien Phillipe

Jacques Callot|Henri Humbert, 1627

Three Peasants and a Woman

Pieter de Molijn, 1626

Landscape with a brick factory in the middle ground, a standing man in the foreground points to the left as he faces a man lying on a rock

Giovanni Francesco Grimaldi, 1626–80

Jupiter and Ganymede

Joseph Heintz the Younger, 1626

Saint Agnes, holding a palm leaf and a tethered lamb

Willem Panneels|Peter Paul Rubens, ca. 1631

Old Man with Beard, Fur Cap, and Velvet Cloak

Rembrandt (Rembrandt van Rijn), ca. 1631

Christ on the cross between the two thieves

Peter Paul Rubens|Anonymous, ca. 1631

Frontispiece, from "Variae tum Passionis Christi tum vitae beatae Mariae Virginis; Les Mystères de la Passion suite appelée aussi Mystères de la Vie de Jésus et Mystères de la Vie de Jésus et de la Vie de la Ste. Vierge" (The Mysteries of the Passion, also called the Mysteries of the Life of Jesus, and the Mysteries of the Life of Jesus and of the Virgin)

Abraham Bosse|Israël Henriet|François Collignon, ca. 1631

The Holy Family and Saint John the Baptist playing with a lamb, an angel at right

Frans van den Wyngaerde|Peter Paul Rubens|Willem Panneels, ca. 1631

Venus mourning Adonis, who lies on the ground at left with his dogs behind him

Peter Paul Rubens|Frans van den Wyngaerde|Willem Panneels, ca. 1631

Saint Cecilia playing the organ with two putti at right

Peter Paul Rubens|Willem Panneels|Frans van den Wyngaerde, ca. 1631

Saint Cecilia playing the virginals, accompanied by two singing angels

Frans van den Wyngaerde|Peter Paul Rubens|Willem Panneels, ca. 1631

Cimon and Pero

Peter Paul Rubens|Frans van den Wyngaerde|Willem Panneels, ca. 1631

Holy Family in the Stable

Govert Flinck, mid-17th century

Studies of Peasants

Herman Saftleven II|Jan Brueghel the Elder, 1625–85

Frieze of Ornament with Clasped Hands and Anchor

Abraham Bosse, 1625–76

La Fiore de Gondreville pièce appelée aussi La Fête du Village, La Petite Foire, Le Bal Champêtre, Le Jeu de Boules (The Fair at Gondreville also called The Village Festival, The Little Fair, The Country Dance, The Game of Bowls)

Jacques Callot, 17th century

The Two Gossips (copy)

Adriaen van Ostade, n.d.

2nd Plate, Featuring 10 Coins Issued by European Princes in the 16th and 17th centuries, from Les Monnaies (The Currencies)

Jacques Callot|Israel Silvestre, ca. 1630

Reverse Copy of La Mendiante Venant de Recevoir la Charité (The Female Beggar Receiving her Charity), from Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons (The Beggars, also called the Barons)

Jacques Callot|Anonymous, 17th century

Strasbourg: The Toll House

Wenceslaus Hollar, 1625–77

St. Paschal Baylon Adoring the Blessed Sacrament

Claude François, 17th century

Copy of L'Aveugle et son Compagnon (The Blind Man and his Companion), from "Les Gueux suite appelée aussi Les Mendiants, Les Baroni, ou Les Barons" (The Beggars, also called the Barons)

Jacques Callot|Anonymous, 17th century

Vue de Pont-Neuf (View of the Pont-Neuf), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris)

Jacques Callot, ca. 1630

The Virgin with Christ Child and Saint John the Baptist

François Chauveau, ca. 1630–68

The Circumcision: Small Plate

Rembrandt (Rembrandt van Rijn), ca. 1630

Reverse Copy of Le Gentilhomme Enroulé dans son Manteau Bordé de Fourrures (The Gentleman Wrapped in his Fur Lined Mantle), from La Noblesse (The Nobility)

Jacques Callot|Anonymous, 17th century

Dancing Figure

Carlo Maratti

Forest Landscape

Lodewijk de Vadder, early 17th–mid 17th century

Un Cerf dans l'Eau (A Deer in the Water), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 12

François Langlois|Jacques Callot, 1625–31

Peasants

Willem van de Velde I, 17th century

St. Francis (?)

Pierre Landry|Laurent de La Hyre|D. Thierry, n.d.

Gemma pretiosa della virtuose donne, page 15 (recto)

Isabella Catanea Parasole|Gugliemo Facciotti, (1625)

Mercury and Argus, copy in reverse after Cantarini

Simone Cantarini, ca. 1630–1648 or after

The Breakfast (Le Gourmet en Compagne)

Adriaen van Ostade, 17th century

Dancing Figure

Carlo Maratti

Vue du Louvre (View of the Louvre), from "Les Deux Grandes Vues de Paris" (The Two Large Views of Paris)

Jacques Callot, ca. 1630

L'Oiseau Posé sur un Chardon en Fleurs (The Bird Standing on Thistle Flower), from Lux Claustri ou La Lumière du Cloitre (The Light of the Cloisters), plate 13

Jacques Callot|François Langlois, 1625–31